• Home
  • About
  • Contact
  • art
  • lifestyle
  • fashion
  • beauty
  • Shop

Jessica Libor

~ Studio Journal

Jessica Libor

Tag Archives: NYC

July 4th exhibition in New York City

02 Tuesday Jul 2019

Posted by Jessica Libor in art, Exhibitions, Journeys, Uncategorized

≈ 2 Comments

Tags

art, art gallery, artist, con artist collective, contemporary realism, jessica libor, July 4th art show, NYC, nyc artist, philly artist, summer art shows

the reading Constitution show

I am happy to be a part of the group exhibition in NYC presented by Con Artist Collective, a month-long exhibit titled “CONstitution” (hear the play on words?)

I visited the new gallery space to drop off my piece that will be part of the show, “The Reading”, and it’s a beautiful white box space near Little Italy.

Screen Shot 2019-07-02 at 10.24.04 AM

If you’d like to attend the opening, it will be a festive affair on July 4th at 7pm, at the new gallery location at 329 Broome Street.

Constitution show

“The Reading” is oil and 23 karat gold on panel, 16″ x 20″ and available; if you are interested in the piece please contact myself or the gallery.

Happy 4th of July week!

Jessica Libor

An artist should never avert their gaze

04 Wednesday Nov 2015

Posted by Jessica Libor in art, Inspiration, Journeys

≈ 1 Comment

Tags

art, art school, artist, artist bios, artist interview, artwork, beautiful art, city, contemporary art, creative, creativity, culture, design, getaway, halloween, Installation Art, jessica libor, Master of Fine Arts, moma, new york, New York City, NYC, pennsylvania academy of the fine arts, weekend

View from the Moma, photo by Jessica Libor

View from the Moma, photo by Jessica Libor

This weekend I spent an entertaining, delightful and educational weekend in New York City. The entertaining part was from spending Halloween there with some friends, and getting to see first hand all the revelry the city had to offer. What struck me most was how almost every person we saw was dressed up in some interesting costume, had painted their face in an artistic way, or was at least wearing an eye catching hat. My favorite costume was two people dressed in white, who had a cloud-like hat on their heads, glowing with blueish white lights. From the cloud-like hat ribbons of white streamed down, also lit up at intervals with the sparkling blue-white lights. At first I was confused. Were they clouds? Angels? Ghosts? But as the pair moved down the sidewalk and the ribbons gently swayed backwards, I got it. They were jellyfish.

While in town, I stopped into the Modern Museum of Art to see what was there. Going through the galleries, I stopped at what was interesting to me. I don’t know about you, but when I go to a museum, I feel guilty if I don’ t stop, look at, and read everything. But under time constraints, I let go of that guilt and just stopped at the pieces that struck me. I tried to disassociate myself from being an artist and trying to learn something–to be a person just enjoying the art.

Looking at Jacob's Ladder.  Photo courtesy of John Warner.

Looking at Jacob’s Ladder. Photo courtesy of John Warner.

I liked Jacob’s Ladder by Helen Frankenthaler, an American artist who lived from 1928 to 2011. The label said, “Although it shares a name with the Biblical tale of Jacob’s dream ascent toward heaven, and with an ancient Egyptian toy, Frankenthaler insisted this work had no preplanned illustrational intention: “The picture developed (bit by bit while I was working on it) into shapes symbolic of an exuberant figure and ladder: therefore “Jacob’s Ladder.” Working in New York in the 1950s, Frankenthaler painted large-scale unprimed canvases on the floor to explore new ways of handling distinctively thind paint. The artist said she borrowed from Jackson Pollock her “concern with line, fluid line, calligraphy, and…experiments with line not as line but as shape.”

My favorite piece was a huge installation/sculpture by Chinese artist Cai Guo-Qiang called “Borrowing Your Enemy’s Arrows. It was made in 1998 and had to be over 20 feet long, and was suspended from the ceiling high above you. It immediately had a magical, transportative effect on me when I saw it–the whimsical nature of a flying boat, and the feathery aspect of all the flocked arrows stuck into it, immediately had a “wow!” effect and also made me curious what it was all about.

The wow factor.  Photo by Jessica Libor.

The wow factor. Photo by Jessica Libor.

The story behind the piece made me even more fascinated. The label said, “The work of Cai Guo-Qiang often merges cultural and political concerns of both the East and West. This fishing boat, excavated from his hometown of Quanzhou and flying the Chinese flag, is pierced with thousands of arrows. The title refers to a legendary episode from the third century in which a resourceful Chinese general had to replenish a depleted store of arrows. According to the tale, the general tricked the enemy by saying across the Yangtze river through the thick mist of early dawn with a surrogate army made of straw, while his soldiers remained behind yelling and beating on drums. Mistaking the pandemonium for a surprise attack, the opponents showered the decoys with volleys of arrows, which the general then appropriated, returning triumphantly with a freshly captured store of weapons. This work suggests the enduring importance of cunning and strategy, not only in the distant past, but also in the present, as geopolitical power dynamics seem to be in constant flux.”

The piece, even though it was about war, politics and cunning, was still magical and beautiful. It reminds me of a quote I read recently by Lera Auerbach in her book Excess of Being, “An artist should never avert his gaze. Look at it. However awful it may be, it’s life, real life in all its majestic and gory glory. What do you see? What do you see? Now, give it form.”

Another view.  Photo by Jessica Libor.

Another view. Photo by Jessica Libor.

I came back refreshed and excited to work on my own art again, with lots of new ideas. That’s what travel is all about, I think–getting outside the normal routine of your life and seeing new things, people, and places, so when you return you see your own home and life with fresh eyes and appreciation.

Waterfall park...photo courtesy of Elizabeth Mier.

Waterfall park…photo courtesy of Elizabeth Mier.

Summer Update

25 Sunday Aug 2013

Posted by Jessica Libor in Exhibitions, In My Studio, Inspiration, Journeys, Pennsylvania Academy of the Fine Arts

≈ 2 Comments

Tags

Arcadia Contemporary, Arcadia Fine Arts, art student, artist studios, Brad Kunkle, Brooklyn artist, castle, emerging artist, Erik Koeppel, female artists, gilding, Grand Central Academy Art, jessica libor, John Everett Millias, Lauren Fair Photography, Lauren Sansaricq, Malcolm Liepke, Master of Fine Arts, maxfield parrish, New York City, newport, newport art, NYC, oil painter, Ophelia, pafa, PAFA MFA, pennsylvania academy of the fine arts, philadelphia emerging artists, pre-raphaelite, Rhode Island, Rossetti, steven assael, William Holman Hunt, william trost richards, young artists

Jessica Libor

Spring

This summer was an exciting one, full of lots of learning and traveling. Since my first year of my Master’s in Fine Art finished in May, I’ve been working in my studio at home a lot, sketching out ideas in my sketchpad, and planning out pieces.

Jessica Libor

Inside Steven Assael’s studio

One of the highlights was visiting Steven Assael’s studio. I originally visited to purchase a piece—a small, elegant sketch of a reclining woman, looking behind her. My friend Holly and I visited. It was a treat to see the inside of his Manhattan studio—a studio draped in heavy cloths and curtains like a theatre, with racks of antique costumes, masks and props hung over mannequins. Dozens and dozens of highly finished drawings, more beautiful than real life, filled up the walls. Mr. Assael ended up doing a quick sketch of me as I was there, as well. I was amazed at how quickly he could capture a likeness.  He was kind enough to give us advice as aspiring artists, as well.

Jessica Libor

Inside Steven Assael’s Studio, with work in process bride painting in the corner

Jessica Libor

Sketch of Jessica Libor, by Steven Assael, 2013

Being in New York City for a bit was inspiring. The hum and energy of the city always fills me with new energy, and I return home with a higher standard to hold myself to.

Jessica libor

Enjoying NYC

One of the trips there included a show at Arcadia in Soho—Malcolm T. Liepke’s solo exhibition. What I like about Liepke’s work is the consistency. Also, the way he uses color in the clothing, eyes, and hands of the figures is extremely pleasing to the eye. Loving fashion, I enjoy his interplay of high fashion and art. As always at Arcadia, the show was well attended, the gallery staff friendly and knowledgeable, and the show had substance and talent that was worth the trip.

Liepke

Liepke

Liepke

Liepke

Jessica Libor at Malcom Liepke show

Jessica Libor at Malcom Liepke show

An exciting day trip this spring was a trip to Washington, DC to the National Gallery of Art to see the show “Pre-Raphaelites: Victorian Art and Design, 1848—1900”.  I arrived there just in time for to see the cherry blossoms in bloom!

Cherry Blossoms...heavenly!

Cherry Blossoms…heavenly!

I’ve always loved the Pre-Raphaelites, but after studying in depth their history and personal lives this past year, I was ready to see their pieces in the flesh. The show did not disappoint! The exhibition had all the major works by Pre-Raphaelite painters such as Millias and Rossetti.

Jessica Libor

Ophelia, by John Everett Millais

It was incredible to be able to stand inches away from Ophelia and be able to study the brushstroke’s Millias’ hand made. It was moving how sincere the artists in the exhibition were—they were fully committed to the image and to the story each piece told. Even though the Pre-Raphaelites were out of fashion for a time, it’s my belief that sincerity and passion stand the test of time, and are beginning to be recognized again for their value.

Rossetti

Rossetti

Hunt

Hunt

The National Gallery describes the exhibit: “The young members of the Pre-Raphaelite Brotherhood, formed in 1848, shook the art world of mid-19th-century Britain by rejecting traditional approaches to painting. Combining scientific precision, an innovative approach to subject matter, and brilliant, clear colors, Pre-Raphaelitism was Britain’s first avant-garde art movement.”
This summer also involved several photo shoots—I’m lucky enough to have some lovely friends and family who were willing to pose for me. We did several photo shoots on beautiful summer days that involved some serious tree climbing, dress-up, and swimming. Thanks so much to my up-for-anything models Lauren, Tim, Courtney, Kelley, Adam and Todd!

Letting loose on a photo shoot...

Letting loose on a photo shoot…

With my two beautiful models, Kelley and Lauren!

With my two beautiful models, Kelley and Lauren!

Modeling for an artist sometimes means climbing trees...

Modeling for an artist sometimes means climbing trees…

Another highlight was being able to study with the gilder and painter Brad Kunkle for the day in Brooklyn. I’ve admired Brad’s work ever since I saw it at Arcadia, and it was wonderful to be able to learn from a master gilder and painter such as him.

Brooklyn, NY

Brooklyn, NY

Jessica Libor and Brad Kunkle

Jessica Libor and Brad Kunkle

His unapologetically beautiful images of figures infused with mythological, but obscure, situations resonate with something of my own vision. After studying with him, gilding with gold and silver leaf back in my own studio goes much more quickly and easily, after learning the correct process of applying it in conjunction with oil paint.

Eidolon, gold and silver leaf, Brad Kunkle

Eidolon, gold and silver leaf, Brad Kunkle

My favorite--30,000 Feet, Brad Kunkle

My favorite–30,000 Feet, Brad Kunkle

Her Own Field, by Brad Kunkle

Her Own Field, by Brad Kunkle

During the late summer, I made the day long drive up to New Hampshire to study with landscape painters associated with the Grand Central Academy, Lauren Sansaricq and Erik Koeppel. It was here in the White Mountains of New Hampshire that dozens of artists from all over the world gathered to learn from Lauren and Erik. I had never taken a landscape instruction course in my life, and thought it was time. During the course of the week, our group painted in a different location outside each day, many of the locations the same ones that the Hudson River Valley artists painted in. It was a welcome change to be able to spend the whole day out of doors, in the crystal clear air.

New Hampshire streams

New Hampshire streams

New Hampshire woods

New Hampshire woods

White Mountains of New Hampshire

White Mountains of New Hampshire

After the course, I felt like I wanted to re-paint any landscape I’ve ever done, now that I knew the tricks and principles of Hudson River Valley painters as practiced by Lauren and Erik. I was lucky enough to see Lauren and Erik’s studio as well, and see their latest works in progress from their recent trip to Yellowstone National Park. I love the way their atmospheres look so airy and detailed.  Many thanks to them for opening up their home and studio to those eager to learn.

Get together after class--inside Lauren and Erik's studio

Get together after class–inside Lauren and Erik’s studio

Inside Erik and Lauren's studio

Inside Erik and Lauren’s studio

Painting in one of the overlooks in the mountains--Lauren is far left

Painting in one of the overlooks in the mountains–Lauren third from left

In the middle of painting on location...perched on some rocks in the middle of a stream!

In the middle of painting on location…perched on some rocks in the middle of a stream!

Below, some of the plein air paintings I was able to complete while in New Hampshire.  Please contact me at jlibor@jessicalibor.com if you’re interested in purchasing.

Jackson Falls, oil on panel, 10"x12", Jessica Libor 2013

Jackson Falls, oil on panel, 10″x12″, Jessica Libor 2013

Summer, oil on board, 8"x10", Jessica Libor 2013

Summer, oil on board, 8″x10″, Jessica Libor 2013

Blue Mountain, oil on board, 10"x10", Jessica Libor 2013

Blue Mountain, oil on board, 10″x10″, Jessica Libor 2013

Jackson Falls, study, oil on panel, 4"x6", Jessica Libor 2013

Jackson Falls, study, oil on panel, 4″x6″, Jessica Libor 2013

In August I was included in a group show at SOHO20 Gallery in Chelsea, NY.  I exhibited my piece, Anna of the Woods. 

Anna of the Woods, oil on linen board, 10"x12", Jessica Libor 2012

Anna of the Woods, oil on linen board, 10″x12″, Jessica Libor 2012

Another great trip was a visit to Newport, Rhode Island. This was such a fun trip, being a family vacation, so it was good to share explorations with my mom, dad, sister and her husband, and their crazy dog, Ollie. In between visiting the beach and exploring the town, we were able to hit up several museums and art galleries. Worth mentioning was the William Vareika Fine Art Gallery, right along Newport’s main street. They specialize in 18th and 19th century art, and have a huge collection of William Trost Richard’s paintings and drawings. Definitely worth a visit if you’re in that part of town.

William Trost Richards treasure room

William Trost Richards treasure room

Another fabulous museum is the National Museum of American Illustration, housed in a historical mansion close to downtown Newport. Here they house a large number of Maxfield Parrish’s illustrations and paintings, which look like glowing jewels inside the mansion. I’ve always admired Parrish’s work, so it was incredible to be able to study up close his paintings. Endless layers of glazes created his signature glowing effect. One thing that I really noticed about his work was the good design. The way he used trees, figures and architecture to balance and create tension in his work. For all his planning, his work has a sense of a dream world or alternate reality, in the best sense.

Daybreak, by Maxfield Parrish

Daybreak, by Maxfield Parrish

Maxfield Parrish

Maxfield Parrish

Maxfield Parrish, Dream Garden

Maxfield Parrish, Dream Garden

Maxfield Parrish, Moonlight

Maxfield Parrish, Moonlight

As far as my own work, I have planned out many of my paintings and transferred drawings to the boards that I work on. I have a clearer sense than before about the direction and feeling of my work. I’ve completed two paintings this summer, below.

The Reading, oil and gold leaf on panel, Jessica Libor 2013

The Reading, oil and gold leaf on panel, Jessica Libor 2013

April, oil and silver leaf on panel, 10"x12", Jessica Libor 2013

April, oil and silver leaf on panel, 10″x12″, Jessica Libor 2013

There are several more in my studio in different stages of gilding and painting.  I’ll be teaching a Master Painting class at a local art center this fall, and am excited for my first opportunity to completely create a course curriculum. I have updated my website and blog. I’m ready to start school again—my last year in school as an MFA 2 student at Pennsylvania Academy of the Fine Arts. Excited to dive into this year and immerse myself in that atmosphere of creativity once again.
I’ve also started a new project I am super excited about…I’ll be featuring different artists here on this blog, with in-depth interviews and photos that illuminate their process and thoughts that go into their work.  If you have suggestions for interesting contemporary artists, or are an artist interested in being featured, don’t hesitate to email me at jlibor@jessicalibor.com!   This project will be ongoing, fueled by a desire to help fellow artists from all career levels.
Thanks for reading, and stay tuned for more posts on my journey as an artist!  Until next time, enjoy the last few days of Indian Summer 🙂

Exploring Newport

Exploring Newport

 

PORTFOLIO

Free Visioncasting Mini-Course for Artists: make it your best year ever! Click here to get it.

Free Visioncasting Mini-Course for Artists

Follow Blog via Email

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 250 other subscribers

Follow on Instagram

Click here to follow Jessica on Instagram!

PBS WHYY Interview

Click to watch my interview for Articulate with WHYY PBS

 

Top Posts & Pages

  • "Tender Trio" original pastel painting for Valentine's
    "Tender Trio" original pastel painting for Valentine's
  • Christian Birmingham's World of Fantasty
    Christian Birmingham's World of Fantasty
  • How to Paint Like the Masters: Part 6, Painting the Ebauche
    How to Paint Like the Masters: Part 6, Painting the Ebauche
  • How to Paint Like the Masters: Part 7, Window Shading and Glazing
    How to Paint Like the Masters: Part 7, Window Shading and Glazing
  • Why it's not selfish to want success as an artist and how to stop feeling guilty
    Why it's not selfish to want success as an artist and how to stop feeling guilty
  • My quest for the BEST organic, natural lipstick: RMS Wild With Desire verses Ilia
    My quest for the BEST organic, natural lipstick: RMS Wild With Desire verses Ilia

Archives

Listen to the Podcast

[convertkit form=5087986]

Powered by WordPress.com.

 

Loading Comments...