My Paris exhibit, ROMANCED BY THE FOREST (AMOUREUX DE LA FORET) art collection available to collect for 4 day flash virtual show starting August 31 to September 3rd
Above, at my Paris exhibition at Serre Wangari before the exhibition reception. Below, “Princess of the Forest”, the female ruler of the forest is surrounded by the woodland creatures and the trees of her domain, wearing a crown of interwoven twigs and her dress gracefully melding into the landscape.
Below, I pose with “Princess of the Forest” at La Serre Wangari, photos by @scander9
It’s the end of summer, and as always, it’s gone by too fast! Luckily, I’ve arrived back in the states with just a few weeks to enjoy the sun and warmth in PA before autumn arrives in earnest! There is always so much to catch up on after a big trip; the piles of mail, grocery shopping, unpacking, emails and projects! But, having settled back into my life in the states, I’m happy to let you know that my Paris exhibition will be available to browse and buy very soon! From August 31 to September 3rd, I’m holding a flash virtual exhibit online where you can browse and collect the remaining pieces from my Paris exhibition, Amoureux de la Foret (Romanced by the Forest). There are a few originals still available from the exhibition and I am also making limited edition prints of some of the works!
I have much more to share with you about my exhibition and trip, but wanted to just let you know what’s coming in a little over a week! I’ll be sharing more detailed captures of the exhibition and my experience in Paris very soon.
Thank you as always for coming along for the journey!
I am happy to release this vivid pastel piece just in time for Valentine’s. Whether you are celebrating with a sweetie this year or not, none of us are immune to the rose-red charms of love. In this piece, I have included a rose in a unique vase which reflects the colors below, a parchment letter sealed with a ribbon, and an apple, displayed on luscious red fabric.
The medium is chalk pastel on paper, and the marks are crisp and deliberate, making this a clear and energetic piece.
“Tender Trio” is 14″ x 17″ inches and ships rolled gently and carefully protected in a tube. *Please note the framed image is a mockup and meant to represent how the piece could look if framed by the buyer.*
I am doing an online auction for this ORIGINAL piece! The bidding starts at $250 and ends on February 7th at midnight. If you would like to bid, please click here or scan the Q code below. Once you register, you will be able to make a bid and will be notified if at any point you are out bid, or if you won the piece at the end!
Scan this Q code with your camera app in your phone to register and place your bid!
Any questions, please email jlibor@jessicalibor.com and I will get back to you asap!
Today, I woke up in the land of fairies, leprechauns and enchantment, surrounded by the emerald green of Ireland. I am here exploring this mystical island for the next few days, seeing castles and the wild rocky cliffs of the coastline, haunted manors and tale-as-old-as-time libraries full of ancient books. I am already in love with the verdant landscape, wild horses and patchwork of green farms that I saw on my way in.
I promise I will write more this week as my adventure unfolds, but for now I wanted to let you know that I will be creating five (5) artworks while I am here in Ireland this week. They will be small works, 6″ x 8″, using ink and watercolor, similar in style to my piece above (“The Brave Adventuress”, 2019). The subject matter will range from castles to mythical creatures to verdant, textured landscapes!
This week has been one of renewed inspiration and creativity! I’ve experienced the magic and wild beauty of Ireland, and my time here is not over yet. I’m excited to share with you a short video I made documenting the first three days of my trip, including the creation of one of my Irish Mystery Paintings and a windy, beautiful trip to the coast! Click here or on the image above to share in the experience.
As with the French Mystery Paintings before, those who purchase an Emerald Isle Mystery Painting will receive a private email a few days after my trip (the week of October 22nd) with pictures of the pieces I made. Then, collectors will have the chance to respond and claim which piece they would like, first come first serve.
I have two available works that will be on display in The New Pre-Raphaelites: Illumination, curated by Kerry Dunn through Era Contemporary Gallery. This is a huge group exhibition with over 40 artworks and 26 artists participating!
Era Contemporary Gallery is proud to announce a new partner in this year’s virtual exhibition of The New Pre-Raphaelites: Illumination! The Delaware Museum of Art, which is home to one of the largest collections of original Pre-Raphaelite art in America, is now involved!
The Delaware Museum of Art will be promoting the show as well as the director of the museum, Molly Giordano, spoke at the virtual opening where I have 2 of my artworks on display.
Now in its second year, “The New Pre-Raphaelites” is a group exhibition organized by Era Contemporary Gallery. This year, we add “Illumination” to inspire artists to interpret their contemporary vision of the original Pre-Raphaelites. This group exhibition includes the following artists:
Adina Yoon, Alayne Sahar, Aleksandra Katargina, Ariane Kamps, Ana Sanchez, Benjamin Shamback, Brenda Robson, Bryan Willette, Cecelia Cox, Colleen Smith, Cornelia Hernes, Courtney Scheingraber, Cristy Dunn, Danielle Rackowski, David Heshmatpour, Fred Wessel, Ilana Ellis, Jessica Libor, Jonathan MacGregor, Julianne Jonker, Kathleen Carr, Kerry Dunn, Leah Mitchell, Lisa Hendrickson, Lorenzo Narciso, Luis Alvarez Roure, Maria Christina Jimenez, Morgan Dummitt, Nancy Bea Miller, Sharon Pomales Tousey, Terra Chapman, Victoria Koursaros, and Zara Kand
Illumination has many meanings, but for this exhibition the artists interpret the word Illumination as it inspires their work. Illumination may refer to the awakening of one’s own personal insights, a spiritual transformation, or a historical reference to the illuminated manuscripts found in ancient holy texts during the Medieval Dark Ages, spanning 400-1400 BC. These ideas were also used as inspiration by the original pre-Raphaelites, a self-titled group of English artists during the mid 1800s to early 1900s that wanted to paint the natural world and heartfelt stories that included myth, legend, magic, and faith. This is the second iteration of The New Pre-Raphaelites exhibitions hosted by Era Contemporary Gallery.
Illumination in art history originally refers to the use of gold or silver leaf to embellish a page in a book, so that the words literally appear illuminated by changing light. The practice usually involved the painting in brilliant colors, elaborate designs and miniature illustrations. The work for this show may refer to the sudden burst of creativity and inspiration, a decision in life that leads to great insight, a transformative experience, and also the aesthetic choices that embrace gold leaf, and glowing, spiritual, or magical imagery.
About the curator:
The guest curator for this exhibition is Philadelphia artist Kerry Dunn. Kerry is part of a movement of new masters that has sought to reclaim the methodologies of the old masters, almost completely lost during the 20th century. This movement is in large part due to the atelier system, small studio schools each led by a master painter, that have been on the rise since the mid 90s around the world. Studio Incamminati in Philadelphia, Pennsylvania, United States, is one of these such schools; where Kerry studied between 2003–2008 with renowned portrait painter Nelson Shanks. Kerry now teaches at the school. Kerry’s work is firmly rooted in the academic traditions of painting from life as practiced by the old masters. Kerry feels most drawn to the art of portrait painting where characters are cast upon a stage and narrative is inevitable; and, the ever elusive challenge of creating a master work.
Artwork from left to right on banner image: Left, by Luis Alvarez Roure, center, by Danielle Rackowski, and right, by Adina Yoon. All pieces in the exhibition are for sale including these three. Please email eracontemproary@gmail.com for inquiries.
I’m so excited to share with you that my 4th museum exhibit this year will be happening soon, at the Wausau Museum of Contemporary Art.
My piece “Transformation” will be exhibited in the November 4th through December 31st 5th Annual National Juried Exhibition selected by Juror Peter Trippi, Editor in Chief at Fine Art Connoisseur Magazine, at the Wausau Museum of Contemporary Art. I am beyond honored and thrilled to be exhibiting in this beautiful space with some amazing artists! “Transformation” is an original oil on canvas, 72″ x 36″ inch gallery wrapped painting that is available. If you are interested in acquiring the original, please email me at jlibor@jessicalibor.com and I can connect you to the museum.
Thank you so much for coming along this journey with me! It is a very exciting year as I begin to show in museums and I am excited to take you along with me!
As my collectors, this means for you that every time I show in museums, the value of my art grows as my work gains more publicity and notoriety. Every time I exhibit in museums, your investment that you have made in my career continues to grow. Thank you to every one of you!
I’m so thrilled to share with you that two of my works, “Wild Things” and “The White Deer,” have been included in the 2021 Iridescence exhibition curated by Bradley Sumrall at the Louisiana Art and Science Museum. About Iridescence, from the museum:
“Iridescence is found throughout the natural world, on butterfly wings, fish scales, bird features, and also in man-made materials such as paint, fabric, and plastic. A captivating sight, iridescence is still being studied by scientists today who seek to further understand the interaction between light, movement, and microscopic structures that is responsible for iridescence. Similarly, artists are exploring iridescence to discover new ways to incorporate the rainbow-like phenomenon into their work. “
The shimmering colors and use of gold and silver leaf in my pieces above show an iridescent fantasia.
This is a gorgeous exhibition and you can see the rest of the show online here!
One of my biggest desires this year and going forward is to be in more museum shows, so this was amazing to hear!
These two pieces in the museum show are available for collecting. Please email me at jlibor@jessicalibor.com if you would be interested in either piece!
Above, Soft Sea, oil on Belgian linen mounted on panel, 8″ x 10″, by Jessica Libor. Purchase here.
Above, The Inn at Cape May, the painting on site in front of the hotel of the same name! Cape May, NJ is known for its Victorian homes.
The Inn at Cape May, oil on panel, 11″ x 14″, by Jessica Libor. Purchase here.
Inside the Inn at Cape May
Visiting the lighthouse in Cape May
Summer is going by swimmingly, and I am soaking up as much time outside as possible! That means lots of plein air painting. I am excited to share two new paintings that are available, Soft Sea and The Inn at Cape May. Soft Sea is part of the new Era Contemporary Gallery group online exhibition, Summer Love! I am thrilled to be exhibiting with such fabulous artists. Soft Sea original is available for purchase on my website here. I am also making hand signed, open edition prints of this piece, available to order here.
The other new piece available is called The Inn at Cape May, and is a portrait of a hotel of the same name. I visited Cape May with another artist friend this month and we explored the coastal town. The Inn is a dramatic, historic presence within the Victorian beach town. In the fall of 1894, William H. Church, a contractor and builder, of West Cape May, began work on a 60-room boarding house at the foot of Ocean Street opposite the Star Villas, one of the most delightful locations on the beachfront. This was the Inn at Cape May. It is full of beauty and eccentricities in its design, both interior and exterior, and captured my imagination. I am sure it has seen many things! It is available for purchase on my website here.
I have also re-opened my shop, new and improved! To celebrate this, please use the code JULY to take 15% off anything you like, code good until midnight, July 22nd.
Self Portrait in a Staw Hat, by Elisabeth Vigee Labrun
Happy International Women’s Day! I am so happy that there is a day to celebrate courageous and wonderful women all around the world, regardless of what stage of their life that they are in. Let’s celebrate the women in our lives who are our mothers, daughters, sisters, friends, relatives, colleagues, and creative that we look up to! For this international women’s day, I wanted to honor the women who are part of our community of the visionary artist salon! If you haven’t yet joined our Facebook group, you can do so here! We’d love to see what you’re working on, be invited to your exhibitions, and hear your struggles and triumphs.
To celebrate International Women’s Day, I like to focus on one woman a preeminent artist who was a favorite portraitist of Marie Antoinette, Elisabeth Vigée Le Brun. Elisabeth was an independent artist, mother, wife and world traveler, as well as frequent Salon host. Her subject matter and color palette can be classified as Rococo, but her style is aligned with the emergence of Neoclassicism.
Marie Antoniette, by Elisabeth Vigee Labrun
She enjoyed the patronage of European aristocrats, actors, and writers, and was elected to art academies in ten cities. As her career blossomed, Elisabeth Vigée Le Brun was granted patronage by Marie Antoinette. She painted more than 30 portraits of the queen and her family, leading to the common perception that she was the official portraitist of Marie Antoinette. At the Salon of 1783, Vigée Le Brun exhibited Marie-Antoinette in a Muslin Dress (1783), sometimes called Marie-Antoinette en gaulle, in which the queen chose to be shown in a simple, informal white cotton garment.
She led a long and interesting life, escaping the French revolution when the tables turned on Marie Antoinette and making a home for herself in Russia for quite a long time before returning to her home country of France. And accomplished artist, she was known not only for her brilliant self portraits and masterful execution Color and form, but also subtly influenced the fashion of France. She was the one who, through her own style of wearing a simple white dress with a colored sash, influence Marie Antoinette to do the same, and when her portrait was done in that style, it became all the rage as the fashionable style.
Vigée Le Brun, Marie-Antoinette in a Muslin Dress
Vigée La Brun created some 660 portraits and 200 landscapes. In addition to many works in private collections, her paintings are owned by major museums, such as the Louvre, Hermitage Museum, National Gallery in London, Metropolitan Museum of Art in New York, and many other collections in continental Europe and the United States. She lived 1755-1842.
There is a fabulous dramatized documentary on Netflix about Elisabeth you might enjoy, The Fabulous Life of Elisabeth Vigee La Brun, in honor of International Women’s Day!
Elisabeth lived during a time in France where salons, from which the Visionary Artist’s Salon is inspired by, were just gaining popularity. You will see in the film dramatizations of the salons that Elizabeth held within her own apartments, sometimes dramatic affairs with costumes, feasts, and artists, writers, and thinkers of the day present. The Parisian salons of the 18th century allowed women to play a positive role in the public sphere of French society. Salons provided a unique outlet where women’s ideas could be heard. Women, in addition to conversing with men at an academic level, had the power to influence the topics major philosophers studied. The cross-class communication that salons fostered also allowed social groups, which had never before interacted, to share ideas. Women’s contributions to the development of intellectual and scientific ideas through their role as salonierres marked a cultural shift in how women should be accepted and involved in society.
Above, Madam Grande, by Elisabeth Vigee Labrun
I hope this little history lesson has inspired you and empowered you to create your own epic story if you are a female artist! Speaking of which, the luminary or the salon will be opening in a few weeks, and if you are a female contemporary realist artist, this may be the program to ship to you into a higher plan that you have been looking for. In this program, I am sharing how to build a profitable, authentic art career while embracing your own feminine spirit. You can get on the waitlist to learn more about it by clicking here! Thank you so much for shining bright, and happy International Women’s Day!
You’re also invited to my Sunday watercolor paint along! Register for the event here, held from 3-5pm on Sunday, March 21.
In my last post, I talked about the challenges that a feminine artist might face as she builds her art career and life. If you missed that, you can read it here on my blog.
However, the feminine artist also has so many strengths and advantages! First of all, what is a feminine artist? We all have masculine and feminine aspects within us, but if you have predominantly feminine energy in your artwork you might feel:
1. Sensitive to your environment 2. Feel your emotions deeply 3. Make art that means a lot to you, and reflects your heart 4. Are drawn to depicting “soft” subjects in your art, like florals, fashion, love, and beauty 5. You are more drawn to being absorbed in your art and creation, and marketing, numbers and strategy is something you avoid or overwhelms you 6. What is going on in your life and the world affects you and your artwork
If that’s you, you’re in good company! I believe the advantages outweigh the challenges of being a feminine artist. The feminine strength is a quiet strength; like the roots of a tree, our strength is anchored in a deep well of subtle power, that eventually grows to become seen and admired, almost like a surprise. There isn’t a lot of noise…until there is massive flowering. So what are some of our unique gifts?
First, femininity is magnetic. It isn’t all about pink and ruffles, either! The essence of a feminine energy is an exquisite acceptance of herself and her work, a deep knowing of the worth of what she makes and who she is. Think of a beautiful flower blooming in your backyard. She is so fragrant, the colors so perfect, her petals so welcoming that the bees are naturally drawn to her. She doesn’t have to chase them down.
This analogy is true in all aspects of life, but if we use it for the art world, think of how an artist with something really special going on in her work is a magnet for opportunities. She doesn’t have to chase or beg press to write her up, or show up at another person’s exhibition to try to talk to the gallery owner.
But that flower still took action by blooming her best in a place where the bees could find her. Likewise, feminine energy artists can blossom in their work, and let it be seen: on the internet, by sending introductory emails, by engaging in opportunities, by showing up and simply being present. But she does so with a deep inner knowledge that her work is worthy, NOT to gain acceptance or prove anything. She shines, and lets her work be seen, so that opportunities that are WORTHY OF HER can be magnetized to her.
Secondly, feminine artistry is deeply creative. Of course all artists are creative, but feminine creativity especially in females is encoded in our DNA. We are literally equipped to create souls, if not in the literal sense, then in birthing our creations.
We have a natural propensity to lean into our creations and put our heart and soul into them. The feminine artist’s work often is full of curved lines, unexpected textures and a beautiful, intricate look to it. This is a mirror of her mind and heart, and the more you let open that door of freedom to your creativity, the more striking and powerful your imagery will become.
The key is TRUST, trusting your inner psyche that you always have more depths of unexplored creativity that grows more powerful the more you use it.
Third, feminine energy is full of powerful archetypes and enduring story. Just look at the stories and fairy tales that resonate with cultures all over the world and don’t go away, that always center on a female protagonist. We do not always embody the princess (although I’m not gonna lie, it’s one of my favorite archetypes!) Feminine archetypes include the Queen, the Teacher, the Princess, the Angel, the Servant, the Heroine, the Crone, the Witch, the Healer, the Saint, the Virgin, the Fallen Woman, and more with almost endless variations of this.
These archetypes are repeated in stories throughout the ages and have been embedded in our psyche. And although none of us is just one of these things, it can be helpful to take some of the powerful stories and imagery of these characters that you identify with, and incorporate it in your business and persona as a feminine artist.
Imagine LEANING INTO the archetypes you like to strengthen your art, your luminosity in the art world, and your understanding of human behaviors around feminine lore…that persist up until modern day! And, you get to create your own story around your archetypes.
Red Riding Hood, by Jessica Libor
By leaning into your favorite archetypes, you can create a more striking and enduring feeling around your art that will linger in the mind.
I will be digging more deeply into Archetypes in my expansive course especially made for feminine, contemporary realist artists that will be launching soon! If you are interested in getting on the waitlist (no commitment, you’ll just be the first to be notified when it goes live!) you can click HERE.
There are so many more benefits to being a feminine artist, and I just wanted to encourage you that you are not alone; that your femininity can be your strength, if you embrace it.
In a few weeks, I will be opening a new course that will be my most comprehensive course yet, especially for feminine, contemporary realist artists who are ready to make the next three months a flowering and growth like never before of their artistic practice and career. This course is open to both men and women but is written for people who create in an emotional, feminine, way in their art.
I have experienced first hand the unique challenges that feminine, empathetic people face in the art world. Some of these setbacks are self imposed, and others are external. Tell me, have you ever felt like this?
1. You find yourself struggling to share your work because it is so close to your heart and emotional to you. You fear being hurt if you expose yourself.
2. You are drawn to representing pretty things, love painting fashion, romance, motherhood and other “soft” subjects, that you fear the art world will never take seriously, but that touch your heart and bring you joy.
3. You are overwhelmed with the business side of art. When it comes to taxes, keeping inventory, marketing and advertising, you would rather just go back to the studio, put on some beautiful music and get lost in your painting again. You feel like you’re not good at that stuff. ( Or is it that you have just been socialized to believe that? )
4. You struggle with pricing your work over a certain price point because it then crosses the threshold into making serious money. ( Is my art worth that? What if I make more than my partner and am no longer the feminine one? What if someone tells me it’s not worth that much? What if I intimidate people? Will people laugh at me? I will no longer be a cute, approachable artist if I ask people to pay this much! )
5. You struggle with feeling like you have to choose between a traditional family or a soaring career.
6. You feel like you never have enough time to expand your career because you are taking care of other people and things, and have given so much of yourself in other areas.
(Above) Portrait of Fanny Eaton, be Simeon Solomon
7. Sometimes you feel like your desire to have a great, successful career is selfish.
8. You often damper down your femininity in life and in your art because you do not want to appear silly, especially in a male-dominated art world.
9. Sometimes you struggle to take yourself and your ambitions seriously because you have been brought up to believe that art is not a serious profession.
10. You feel things very deeply, whether that be your cycle each month, the fluctuations within your family or romantic relationship, and world events, all of which impact and sometimes immobilize your creativity.
If you recognize yourself in any of these things, just know that you are not alone. I have spoken to many feminine people who have felt these unique challenges.
But, we ALSO have unique strengths in the art world that are invaluable, which I will be covering in my next letter!
In the meantime, if this course sounds like it is of interest to you, please join the waiting list to be kept abreast of all developments (you can join the waitlist HERE, with no commitment of any kind).
I would also love to hear from you. What unique struggles have you faced as a feminine artist? Do these challenges resonate with you? What have I left out?
