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Jessica Libor

~ Studio Journal

Jessica Libor

Category Archives: Pennsylvania Academy of the Fine Arts

Wedding Painting

11 Friday Jan 2019

Posted by Jessica Libor in art, In My Studio, lifestyle, Pennsylvania Academy of the Fine Arts

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art, artist, beautiful art, classical realism, contemporary realism, creative, creativity, event painting, female artist, inspiration, live painting, painter, painting, pennsylvania academy of the fine arts, Philadelphia wedding, wedding painting, wedding vendor

It was an honor to paint this commission wedding portrait for a recent project. The finished piece is oil on canvas, 11″ x 14″. I started the piece before the wedding, and painted the bulk of it during the couple’s wedding reception at the Pennsylvania Academy of the Fine Arts. It was wonderful speaking to guests about my process and being a part of the couple’s wedding day! I feel honored to have added a joyous experience to the occasion by immortalizing the moment in a painting.

If you are interested in commissioning a painting, please email me at jlibor@jessicalibor.com for all the details.

How to create a body of work in 3 months

25 Monday Sep 2017

Posted by Jessica Libor in art, How To, In My Studio, Pennsylvania Academy of the Fine Arts, Uncategorized

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arch street press, art, artist, better to speak of it, clive gillison, creative, goal setting for artists, how to create a body of work, how to get gallery representation, how to make art, pafa, pennsylvania academy of the fine arts, robert rimm, social entrepreneurship, social innovation, time management for artists

open studios shot

After creating 14 pieces in 3 months, I was accepted into the MFA program I wanted to get into. Photo credit: Jessica Libor

As an artist, your primary job is creating work: work that you feel proud of, that would be thought provoking or inspiring to others in some way. You are a thought leader, someone who creates cultural ripples, no matter how small. But as an artist, you also can get caught up in the hundred other activities involved with being an artist: the organizing of work, the going to shows, taking classes, reading books, and perfecting your masterpieces slowly. Or, perhaps you have fallen into making pieces for the sake of making pieces to sell: work that you know is not your highest quality that you can make.

If you are not an artist, but are in a creative profession as well such as writing, publishing, graphic design or the like, please forgive me as I write from the perspective of being a painter. However, you can use these same ideas to create a body of your own work in your own field.

I would like to propose a two step process for creating a body of work that you are proud of in 3 months or less.

The first step is deciding on a goal. For most artists, a solid body of work is 10 to 20 pieces. Decide how many pieces that you would like to make within your time frame. When I did this, I decided on 14 pieces within 3 months. This was because 14 pieces were needed for the program that I was trying to submit to by the deadline (I did it, by the way, and got into the program!  If I can do it, so can you.)

What will your goal entail? Your goal should include a) the number of pieces you want to make by a certain date and b) the external reason. For example, your reason could be, wanting to go to New York or California and take a week to show your new body of work to galleries. For a reason like that, make it real by booking the flights three months in advance, and reserving your hotel. Now, you are invested. If you don’t make your work by that date, then you will be embarrassed to show galleries an empty portfolio, and you will have wasted your money on the trip—or just have a nice vacation! Another sample goal is getting into a residency, or an MFA program. This is also a strong incentive, because you know that if you don’t make the deadline, you’ll have to wait an entire year to submit again. Another goal could be, setting up a show with a gallery you are involved in, so that you have to make the work in time for opening night. If you don’t yet have gallery representation, then perhaps going in on a space with another artist or two, and making the deposit on the space three months in advance, so that you are locked into the exhibition. Better yet, start telling family and friends, and create an invitation page online so that people can RSVP. This creates momentum in your mind—and a good kind of pressure!

Perhaps this sounds stressful to you. I’m not going to lie—it can be stressful! Stretching yourself to a higher potential than you are currently at always involves a little stress. But I have found that by imposing an external goal, it lifts your abilities, and you are able to make work faster and better than you have ever before. Your mind goes into problem solving mode. You start making more work, faster, and yet with more precision and skill, because you know that you will be showing the work publicly. It is a different energy than creating one piece a month when you have time. It is goal driven: you must get X amount of pieces done by a certain date, or you will lose money, time, or good face.

The next step is to divide your time and energy. Let’s say you decide on 15 pieces in 3 months. That means you need to create 5 pieces per month. Weekly, that’s about 1.5 pieces per week. Woah! All of a sudden the deadline becomes less fuzzy—a large amount of pieces due at some point in the future. It becomes at least one piece per week in order to reach your goal. It becomes more urgent.

As you go through this process, you’ll notice that you begin to take yourself more seriously—and therefore others will take you more seriously, as well. So many times as creatives and artists we can get a bad rap for not being professional, or being haphazard in how we make our work, meet deadlines, and do business. When you have a tangible plan with an external goal, it forces you to be professional with your time, and manage it like you run a business—which you do! You’ll find that because you have a more structured timeline, ideas will flow more easily, and you will grow more skilled, because you’ll be painting more. And when the time comes to submit your work, take that trip to the big apple, or host an exhibition for family and friends, there isn’t a better feeling than knowing that you accomplished much more than you ever thought possible.  As Clive Gillison and Robert Rimm write in Better to Speak of It: Fostering Relationships and Results through Creativity: “. . . I always ask them what they’re passionate about, and suggest they allow that to be their guide, giving it everything they’ve got whilst keeping a completely open mind.  Then their talent and passion will lead them.”

Thanks so much for reading! Let me know your your thoughts.  What is your external goal? How many pieces would you like to make?   What is YOUR deadline?  Stay creative!  Until next time,

 

Jessica Libor

www.jessicalibor.com

Art adventure in New York

02 Saturday May 2015

Posted by Jessica Libor in Inspiration, Journeys, Pennsylvania Academy of the Fine Arts

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art, art school, art schools, artist, beautiful art, beauty, creative, drawing, inspiration, nyaa, pafa, painting, schools, tribeca

Tribeca

Tribeca

Last week I took a bus up to NYC and visited a good friend of mine who also graduated from Pennsylvania Academy of the Fine Arts.  His name is Arc Manoro Niles (awesome name) and his work is pretty great as well!  He’s graduating from the New York Academy of Art and was kind enough to give me a complete tour around the place.  It’s good to travel around to different cities and see what other artists are up to.  I feel that it keeps you sharp and challenged in your own studio practice.  We visited three floors chock full of art, met lots of students, and walked around the lovely Tribeca neighborhood where the school is located.

Jessica Libor and Arc Manoro Niles in his studio at NYAA

Jessica Libor and Arc Manoro Niles in his studio at NYAA

I came back wanting to paint!  Sometimes it’s good to step away for a while to give yourself creative space, to think, ponder what you’re making your art about, and think about what you’re doing.  So when you go back into the studio, you come back with more focus, more excitement, and clarity.

Seen from the street

Seen from the street

A particularly funny yet technically good painting  I saw there called “Justin Bieber has feelings too”.  I liked the pink glitter frame, what can I say?

Justin Beiber has feelings too, oil on panel

Justin Bieber has feelings too, oil on panel

While in NY I stopped by the Arcadia Contemporary exhibition of women’s work.  My favorite artist there was Alessandra Peters.  Check out her use of charcoal drawing and gold leaf.  It’s extraordinary.

Work by Alessandra Peters

Work by Alessandra Peters

Thanks for sharing in my adventure, and don’t forget to sign up at the top of the page for more posts!

Creatively,

Jessica

2014 Year in Review

05 Monday Jan 2015

Posted by Jessica Libor in In My Studio, Inspiration, Journeys, Pennsylvania Academy of the Fine Arts, Uncategorized

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2014, 2015, adventures, arcadia, arcadiacontemporary, art, artist, ballet, ballet x, beauty, Bridgette Mayer Gallery, castle, contemporary female artists, exhibition, female, female artist, happy, hiking, journey, lifestyle, oil painting, pafa, painting, Philli artists, prague, Shakespeare, travel, woman, woods, year in review

2014  was a great year!  It’s a blessing to be healthy, happy, and lucky enough to be doing the thing you love to do.  This year saw a lot of changes, all good.  Since last January 1, here are a few of the professional highlights.

Last January I was still working on my MFA.  It was a great time full of challenges and pressure, and totally worth the time and effort put in.  The community spirit within the school was fantastic, with people really helping each other and creativity of the artists feeding off each other.

PAFA--Midyear Review

PAFA–Midyear Review

Working on a drawing installation at PAFA

Working on a drawing installation at PAFA

In the gang studio--PAFA students helping each other

In the gang studio–PAFA students helping each other

Open studios at PAFA

Open studios at PAFA

I was attempting to paint the biggest painting I had ever attempted, and feeling overwhelmed.  At one point I even painted a flat green over the whole tree.  The next day, I panicked after seeing it in the light of day and realized how awful my experiment looked!  I scrubbed the paint off, and the result was a much more cohesive, integrated look to the foliage and the leaves.  Turns out mistakes can be valuable things.

Here is the sketch that got the mammoth painting started, and a few shots to completion.

First concept sketch for "Attainment".

First concept sketch for “Attainment”.

"Attainment" as a work in progress, 2014

“Attainment” as a work in progress, 2014

Attainment, oil, 23 karat gold and silver leaf on panel, 4 ft. by 6 ft.

Attainment, oil, 23 karat gold and silver leaf on panel, 4 ft. by 6 ft.

Much of my time from January to May was spent making paintings for the Annual Student Exhibition at Pennsylvania Academy of the Fine Arts, were I graduated with my Master’s of Fine Arts, a dream I had for a long time, finally realized!  I got everything I had been looking for out of the experience, the most important thing being the discovery of the beginning of a consistent voice in my work.  Below, some of the work made during that time.

At the Annual Student Exhibition--so excited to be graduating!

At the Annual Student Exhibition–so excited to be graduating!

Suspended, oil, 23 karat gold and silver leaf on panel, 16"x 20", Jessica Libor 2014

Suspended, oil, 23 karat gold and silver leaf on panel, 16″x 20″, Jessica Libor 2014

Suspended (detail)

Suspended (detail)

The Reading, oil and 23 karat gold on panel, 16"x20", Jessica Libor 2014

The Reading, oil and 23 karat gold on panel, 16″x20″, Jessica Libor 2014

Picnic, oil on panel, 10"x12", Jessica Libor 2014

Picnic, oil on panel, 10″x12″, Jessica Libor 2014

Tableau, oil on panel, 8"x10", Jessica Libor 2014

Tableau, oil on panel, 8″x10″, Jessica Libor 2014

April, oil and silver leaf on panel, 8"x10", Jessica Libor 2014

April, oil and silver leaf on panel, 8″x10″, Jessica Libor 2014

"Lovers," mixed media, original is 20"x24", Jessica Libor 2014

“Lovers,” mixed media, original is 20″x24″, Jessica Libor 2014

Display, mixed media, Jessica Libor 2014

Display, mixed media, Jessica Libor 2014

The Gathering, mixed media and 23 karat gold leaf, 8"x10", Jessica Libor 2014

The Gathering, mixed media and 23 karat gold leaf, 8″x10″, Jessica Libor 2014

Muses, mixed media and 23 karat gold leaf, 8"x10", Jessica Libor 2014

Muses, mixed media and 23 karat gold leaf, 8″x10″, Jessica Libor 2014

The exhibit at Pennsylvania Academy of the Fine Arts, 2014

The exhibit at Pennsylvania Academy of the Fine Arts, 2014

I was also able to dabble in video production with the help of a friend.  The actress in the film had access to some beautiful costumes from being in theatre, which explains the stunning costuming.  The result is a video piece called “The Rending,” which you can see by clicking below.

 

 

During 2014, I began a website dedicated to interviewing and learning from contemporary artists, called Eyelevel Arts.  I was able to meet and interview many fascinating and wonderful artists.  You can check out their interviews by following the link to www.eyelevelarts.com.

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Immediately following graduation, a classmate invited me to participate in the Rittenhouse Square Art Fair in Philadelphia.  With the help of family and friends, I was able to exhibit there, and had a great time meeting collectors in the beautiful Spring weather.

At the Rittenhouse Square Art Fair, 2014

At the Rittenhouse Square Art Fair, 2014

At the Rittenhouse Square Art Fair, 2014

At the Rittenhouse Square Art Fair, 2014

I was also able to visit Prague in the Czech Republic with several friends during the hot summer months.  It was a great and eye opening trip filled with beauty, culture, history, and community service.  My favorite part of the trip was hiking for the entire day along the border of Germany, through enchanted woods and fir forests, up to a natural stone formation.  When you reached the top, you could see for hundreds of miles in ever direction.

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Hiking the border through something that resembles the Black Forest

Hiking the border through something that resembles the Black Forest

Beautiful Prague

Beautiful Prague

Prague--the towers that inspired the witch's castle in Sleeping Beauty

Prague–the towers that inspired the witch’s castle in Sleeping Beauty

During the summer after the visit to Prague, I was lucky enough to be selected to be in Bridgette Mayer Gallery’s Ballet X Exhibition.  The selected artists were given a 10″x10″ panel to work with.  The piece I made was oil, butterfly wings, and 23 karat gold leaf, called “Holding Court.”  It was inspired by the court of Queen Titania in A Midsummer Night’s Dream.

Holding Court, oil, butterfly wings, and 23 karat gold leaf on panel.

Holding Court, oil, butterfly wings, and 23 karat gold leaf on panel.

Ballet X Exhibition at the Bridgette Mayer Gallery

Ballet X Exhibition at the Bridgette Mayer Gallery

Ballet X Opening Night at the Bridgette Mayer Gallery

Ballet X Opening Night at the Bridgette Mayer Gallery

Also during the summer, I continued to paint and create, enjoying some plein air sessions with artist friends.

Painting by the river

Painting by the river

In the fall, I moved with the help of friends and family to a beautiful new living space which doubles as my studio.  I fell in love with the high ceilings and huge windows which let in lovely light.

In October, I was part of a two person exhibition (with artist Alan Soffer) at the Bazemore Gallery in Philadelphia, PA.  It was such an honor to be selected for this exhibition, and so heartwarming to see the friends and family that came out for the event.

With my piece "Daydreaming" at the Bazemore Gallery, October 2014

With my piece “Daydreaming” at the Bazemore Gallery, October 2014

New York

New York

Visiting the Met

Visiting the Met

Visiting New York City for several friend’s and colleague’s art shows was also a high note.  Especially inspiring was Judith Schaecter’s show in Chelsea.  It was wonderful to see the gorgeous work of one of my favorite professors from PAFA have her work on display in such a prestigious space.  Also beautiful was Brad Kunkle’s December show.  It was really cool to see his mix of traditional and new media as he overlaid intricate oil paintings with video installations.

At Brad Kunkle's Show this December

At Brad Kunkle’s Show this December

I’ve also been creating during the fall and winter months.  A few of the pieces I’ve been working on are below.

Narberth Park, oil on panel, 4"x6", Jessica Libor 2014

Narberth Park, oil on panel, 4″x6″, Jessica Libor 2014

Swoon, oil on panel, 8"x8", Jessica Libor 2014

Swoon, oil on panel, 8″x8″, Jessica Libor 2014

Holding Court, oil, butterfly wings and gold leaf on panel, 10"x10", Jessica Libor 2014

Holding Court, oil, butterfly wings and gold leaf on panel, 10″x10″, Jessica Libor 2014

Midmorning, oil on panel, 10"x12", Jessica Libor 2014

Midmorning, oil on panel, 10″x12″, Jessica Libor 2014

Working on a new piece

Working on a new piece

I also started selling my work online to collectors, which really opens things up and makes my work more accessible.  You can see my shop through my website, http://www.jessicalibor.com/shop/.  There are originals, and also limited edition prints, hand signed and numbered.

Screen Shot 2014-10-15 at 1.30.21 PM

I ended 2014 and started 2015 by celebrating with family and friends, making new memories with the people I love.

Trimming the tree with my sister, Lauren

Trimming the tree with my sister, Lauren

Thank you to each one of you who have been a part of my year in 2014, whether a friend, professor, colleague, family member, or collector.  I value each one of your investment into my life and my art.  Don’t forget to sign up to receive each post by subscribing to this blog if you’d like to stay informed as to new works and shows.  Thank you again for your support, and wishing each one of you a very happy, healthy and creative new year!

Love,

Jessica

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Generations Installation

01 Tuesday Jul 2014

Posted by Jessica Libor in Exhibitions, In My Studio, Pennsylvania Academy of the Fine Arts

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flowers, jessica libor, pafa, PHiladelphia

“Generations” is a living installation that I created in Spring 2014 at the Pennsylvania Academy of the Fine Arts.  The elements were a full length mirror set on an oblong sculpture pedestal, facing upwards to reflect the warm lights shining down on it.  Lying on top of the coffinesque mirror were flowers in different patterns.  The sculpture started simply, and grew in complexity as each day I would add more and more flowers to the center of the mirror, and move the flowers from yesterday out towards the edges to create different patters and make room for the new flowers.  Below are some installation shots from the piece.  Obviously, this piece is time-based, and impermanent, but meant to be a meditative and beautiful experience for the viewer to think on the cycle of life.

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Annual Student Exhibition and Graduation!

19 Monday May 2014

Posted by Jessica Libor in Exhibitions, Inspiration, Journeys, Pennsylvania Academy of the Fine Arts

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pafa graduation

This last weekend, I graduated from the Pennsylvania Academy of the Fine Arts with my Master’s degree in Fine Art!  There were so many things to do leading up to that event, that I hardly realized it when the day came.  It really didn’t sink in until it was actually happening.

I painted every spare moment until the ASE exhibition, which was May 9, the same day as graduation.  But there were also all the little details to be taken care of that took time as well, such as the work being photographed, invitations sent out, the work had to be wired, hung, varnished and signed, and finals for classes and reviews still had to be studied for and completed.

The day was a softly filtered sky, the energy of everyone graduating was completely ready, poised for the next phase of life, each student ready to take on the world.  Or at least the art world.

Phyllis Gorsen gave a beautiful and inspiring speech as the spokesperson for the MFA 2014 class.  After we received our diplomas, students gathered outside briefly to take pictures with friends and family before heading inside to the ASE to stand by their wall of artwork.

It was an exciting night!  Hundreds and hundreds of people from Philadelphia came through the labyrinth of an exhibition: some serious collectors, some alumni, some curious onlookers.  The response that  I received from the viewers was so affirming: three pieces sold, but it was more the conversations and responses that I received about the work that was most validating.  As an artist, you may labor over work for months or even years without immediate feedback of a job well done, or even the surety that you finished the work.  The exhibition gave me a broad range of responses from people as to what the work meant to them.  As more and more people came through and hundreds of strangers looked closely at my work, there was an odd sense of exposure, as well.

More photos to come.  I want to thank everyone that came out that night to show love and support.  Also, a huge congratulations to the MFA class of 2014, I’m honored to call you my colleagues!

 

Finished Piece

06 Sunday Apr 2014

Posted by Jessica Libor in Exhibitions, In My Studio, Pennsylvania Academy of the Fine Arts

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Tags

artist, female artist, jessica libor, new painting, realist painting

Dear friends, I have finished the oil painting that I posted about earlier.  This piece was quite enjoyable to work on, with the luscious shiny folds of fabric, soft skin and brilliant apple.  I’m struggling with a name for it, though, and could use your help.

Untitled piece by Jessica Libor, oil on panel, 10″x12″, 2014

Advice from a Whitney Biennial Curator

01 Tuesday Apr 2014

Posted by Jessica Libor in Artist Profiles, Exhibitions, Inspiration, Journeys, Pennsylvania Academy of the Fine Arts

≈ 1 Comment

Tags

anthony elms, artist advice, curator, emerging artist, graduate student, ica, institute of contemporary art, jessica libor, MFA, pennsylvania academy of the fine arts, philadelphia art, whitney biennial, whitney bienniale

Far right, Anthony Elms

Far right, Anthony Elms

Last week I met for coffee with Anthony Elms, one of the curators for the 2014 Whitney Biennial.  I wanted his input on a performance art piece that I have been thinking about doing for a while, and Mr. Elms was kind enough to meet with me.  Anthony was the perfect person to ask because of his background working with performance artists.  I also liked the exhibiting he curated, “White Petals Surround Your Yellow Heart,” which gathered together artists who dealt with themes of adornment, clothing, and self-presentation.  He currently works as the Assistant Curator at the Institute of Contemporary Art.  (Another exhibition he curated: “A Unicorn Basking in the Light of Three Glowing Suns”.  Love it!)  To learn more about Anthony Elms, click here.

Anthony Elms speaking at the Press Preview for the Whitney Bienniale.  Photos courtesy of Zimbio.com

Anthony Elms speaking at the Press Preview for the Whitney Bienniale. Photos courtesy of Zimbio.com

I dropped by the ICA early to check out the galleries before meeting Anthony.  The ICA has an impressive gallery space with soaring ceilings and fascinating work that screams cutting edge.  I was particularly fascinated with the videos, and enjoyed taking them in.

Institute of Contemporary Art

Institute of Contemporary Art

Mr. Elms met me in the lobby, and we walked over to a local coffee shop.  Anthony has an unassuming air, with a dapper style accented by large colored glasses frames which betray an occupation in the arts.  Once we had out coffees in hand, we settled down to business.  I asked for specific advice about my performance project, which poses special challenges because it involves animals in a public space.  Mr. Elms gave me some great project-specific advice regarding my idea.   Obviously a thinker, he paused to consider what he was saying, asking specific questions, and gathering information before responding.  When I asked for general advice for young emerging artists, he mentioned two  qualities that he looks for in the work he selects for shows as a curator.

The first quality he mentioned  is commitment to the vision, dedication.  It must be obvious that the artist is serious about their work.  This comes across in how extensive their work is, and also how much work and effort the artist is putting into their practice.

The second quality he mentioned was that the artist be “asking interesting questions.”  When I dug deeper for more specifics, Mr. Elms explained that these interesting questions may be about the medium that they are using, a certain subject matter, or even about the art world.  “Work that makes you think,” he said.

So, the advice in a nutshell was to be committed to your practice, and ask questions with your art.  A perfect combo of technical, hard work and brainy intelligence.  That’s where things get tricky–it can be easy to fall on one side of the other, placing all your efforts as an artist into concept with little thought to technique, or making technique heavy work with little content.  The trick is the balance between the two.

We parted ways cordially, and I promised to send a link to documentation if my performance piece comes to fruition.  Thanks to this conversation, it seems like it could be possible.

Please don’t hesitate to SHARE this post with your friends who might find it helpful or interesting, and don’t forget to subscribe to this blog by clicking the FOLLOW button at the top of the page so you don’t miss a post!  Thanks guys, and until next time, happy creating!

 

Artist Studio Shots

28 Friday Mar 2014

Posted by Jessica Libor in In My Studio, Pennsylvania Academy of the Fine Arts

≈ 1 Comment

Tags

artist, emerging artist, female artist, MFA, pafa, painter, Philadelphia artist, the female gaze, women painters

Recently my good friend Mike Grasso took some studio shots in my studio at PAFA.  We had a great time figuring out the photo shoot, and it was a perfect day to take the pictures as the sun was streaming through the windows.  Thanks so much Mike!!  For any fellow artists, if you’re interested in getting studio shots, contact me at jlibor@jessicalibor.com and I can put you in touch with Mike.

Below: studio shots of Jessica Libor at Pennsylvania Academy of the Fine Arts in Studio 818.  All images copyrighted by Michael Grasso.

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Painting in Progress

21 Friday Mar 2014

Posted by Jessica Libor in In My Studio, Pennsylvania Academy of the Fine Arts

≈ 1 Comment

Tags

advice for artists, art expert, artist, artists, beautiful paintings of women, classical realism, drawing, emerging artist, how to paint, inspiration for artists, painting, romantic

This week I’ve been painting away at a new work.  It’s got lush folds and fabrics that are delicious to paint, and some mouth watering fruit that’s nestled in the hand of a figure that’s not seen in the picture.  It’s been fun playing with the different textures and colors in the painting, bringing the fabric, flesh, and fruit to light.  It’s 10×12 inches, oil on board.  No title yet.  Still got a little ways to go on it.

Work in progress by Jessica Libor, 2014

Work in progress by Jessica Libor, 2014

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