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Jessica Libor

~ Studio Journal

Jessica Libor

Category Archives: Interviews

Jessica Libor in the Times Herald

17 Wednesday Mar 2021

Posted by Jessica Libor in art, Courses, Interviews, Press

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art, covid, creative, greater norristown art league, jessica libor, painting, the times herald


 

I’m honored that my work has been featured recently in the March 11 issue of the Times Herald!  I also wanted to encourage you that if you are an artist,  YOU TOO can start to get press for your artwork.  To start to get press, I like to guide artists to:

1. Proactively seek out press by cultivating relationships with publications and writers
2. Determine what you would like to get press for– an event, an exhibit, or a topic
3. Gather together into a press release for your news worthy topic, including pictures of your pieces, you, and your angle on the topic.
4. Address your press release to individual writers at the news outlets you’d like to be featured in!
5. Follow up twice.

In the comprehensive course I am creating for contemporary realist feminine artist, the Luminary Artist Academy, we go deep into this and the details of each step.  To sign up for the waitlist, click here.

And now, the article from the Times Herald!
Since it’s a little hard to read the scans, here is the article:

Artists found creative outlets and frustration during pandemic

By M. English

For MediaNews Group

PLYMOUTH >> As they look back from the one-year mark, local artists say COVID- 19 has affected their work in a variety of ways.

Plymouth Meeting painter Susannah Hart Thomer says art has allowed her to focus on “something positive and wonderful during this terrible time.”

“For me…it fills the time with the happiness and luxury of creating, developing and spending hours of time sitting on the floor doing my watercolor paintings…,” Thomer says. “Even if I…don’t quite like the way the painting’s developing, it doesn’t matter. I just start over. It’s a delight to go into my studio in the morning and be surrounded by art (and) discuss my paintings with friends by emailing my work to get their knowledgeable views and opinions of it.”

Ambler’s Lynn Hoffmann has found “more time to reflect” and experiment with new techniques and materials in her Hand and Wheel Pottery studio. For example, “materials other than clay to make larger outdoor sculptures that don’t require clay or a kiln.”

“It really has been kind of nice to think and dream way out of my normal box but sad to not see others as much in the beginning,” Hoffmann says. “After I experiment with new things, I bring them to my students, who love seeing new things. (It) feels really good to be so open to new ideas and let possibilities enter into existence. For me, nothing is worse than repeating the same things over and over. I love to experiment and learn.”

Despite her cheerful outlook, Thomer acknowledged “the seeming foreverness” of the pandemic, and others shared parallel sentiments.

Conshohocken Ar t League’s Eileen McDonnell recalls a quick visit to CAL’s studio at Mary Wood Park House last November as “truly surreal…something out of a dystopian novel.”

“The children’s paintings were still splayed on the tables… some chairs askew, some paint containers scattered near each student’s work,” McDonnell says. “Reference books for that project were still opened. Everything was covered in a light dust, some cobwebs here and there, some new water damage cracking the ceiling, insanely quiet. It was as if some bomb had dropped and left everything in suspended animation.”

Zoom picked up some of the slack, but the format wasn’t a universal remedy for CAL’s usual in-person classes, especially live model sessions when “the lighting and three dimensional quality of working from life was distorted by the lens and arbitrary camera angle of the instructor,” the local painter says.

One positive, McDonnell notes, “the pockets of adult artist groups who now meet each week online to share their personal projects…no pressure, just sharing inspiration, contacts, techniques, material sources (and) art news.”

Initially, the pandemic stopped Whitemarsh Art Center’s Charlotte Lindley Martin in her tracks.

“March 13, 2020 – Lockdown – I stopped making art,” Martin remembers.

She returned to “the studio energized and engaged” in May when she and fellow WAC staffer Matt Courtney began making ceramic hand-building videos for online tutorials.

“We were educating from afar, and the result was our students were creating art,” Martin says. “Inspired by my granddaughter, I made videos for children. Next came live Zoom classes. Planning a weekly lesson making templates, trying out forms, finding inspiration for them, putting them on Pinterest and testing underglazes using mason stains.”

All of which increased her “knowledge base” and allowed Martin to learn “alongside my students.” As part of that: “I am gratefully using the new-found knowledge garnered by teaching and experimenting… making small sculptures, taking risks and embracing the changes. In my isolation, I am making art that is for me.”

Fellow WAC ar tist Jeanine Pennell also learned to adjust after her “entire calendar of art fairs and shows was wiped clean.”

“I had nothing to look forward to, but I knew I needed to continue to create,” Pennell says. “I decided to focus on creating a single body of work that had its own theme, sort of my own thesis… (and) set out to create a minimum of seven pieces that at some future time would be shown together. I missed travel the most, so I aimed my focus in that direction and began a series I entitled ‘Absurd Travel.’ Long stretches in the studio have afforded me the freedom to try new techniques and create larger pieces.”

Pondering the pandemic’s “impact on millions of quarantined individuals” as well as the concept of “the selfie as a self-portrait” during physical isolation inspired Greater Norristown Art League painter Jessica Libor’s stylized portraits of women.

“I was particularly inspired to do this series because of the impact on millions of quarantined individuals,” Libor says. “With nowhere to go socially, how do we as individuals still express our creative personalities through our styling? Does it still matter to get dressed up if no one will see you? How does creating a selfie with your cell phone mimic the process of creating a work of art? Many things are the same: Choosing the elements, composition, lighting, colors and subject matter.”

In the end, “in many ways, the selfie and the self-portrait are the same thing: The artist’s version of themselves that they want to reveal to the world. Through blending fantasy and reality, they can be perceived as who they aspire to be. How does creating an idealized fantasy world surrounding you create relief psychologically? Is it escapism or creativity?”

At first, GNAL’s Betz Green viewed quarantine as “an unexpected treat to be able to spend endless hours in the studio.”

“Well, that sense of euphoria lasted a couple of weeks,” Green says. “Then, reality set in. I was working in a vacuum with no museums, no art shows, no art classes, no friends. Production fell off drastically for a few months until the world slowly began to once again open up, presenting opportunities and other people. The pandemic itself does not influence my work. I do not allow it to enter my studio space or my head space when in the studio.”

I’m honored to be a part of this thoughtful article about artists during the pandemic.
     This week, I am simply continuing to work on my new art for WILDLOVE, the upcoming exhibit in May!   To register for that, click here.

Lastly, I am hosting a virtual Wine and Watercolor social instructed paint along this Sunday, and I’d love it if you joined me!  Click here or the image below to register!

Have a wonderful week  🙂
Stay well,

Jessica Libor
Visual Artist
www.jessicalibor.com/available

Using challenges to kickstart your creativity: a conversation with artist Nancy Bea Miller

25 Monday Jan 2021

Posted by Jessica Libor in Interviews, Uncategorized

≈ 1 Comment

Tags

artist, creative, female artist, female painter, jessica libor, nancy bea miller, painter, Philadelphia artist, philadelphia female painter, the inspired painter podcast

In this episode, I chat with Philadelphia artist and educator Nancy Bea Miller about using challenges like the Strada Challenge to increase productivity, skill and efficiency within your art practice!  Having completed such challenges several times Nancy gives us tips to help complete each challenge you set while using it to further your art practice. Enjoy this fun and relaxing conversation between friends.

Episode 33 of the Inspired Painter with Jessica Libor

Listen to more episodes of the Inspired Painter here.

Follow Nancy on Instagram at: https://www.instagram.com/nancybeamiller_artwork

Check out Nancy Bea Miller’s blog at: http://nancybeanews.blogspot.com/

Other links mentioned:

As another gift to you to start out the new year, here is my free printable calendar for 2021! DOWNLOAD HERE. It highlights twelve of the pieces I made in 2020.  

Jessica Libor’s art: www.jessicalibor.com

The Visionary Artist’s Salon courses and coaching for artists: www.thevisionaryartistssalon.com

Free guide to selling your art online authentically:

CLICK HERE FOR THE FREE GUIDE!

How to set up your life to support your art practice: a conversation with Kerry Dunn

12 Tuesday Jan 2021

Posted by Jessica Libor in Artist Profiles, Inspiration, Interviews

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artist, jessica libor, kerry dunn, Philadelphia artist, studio incamminati, the inspired painter podcast

“Tito and I” by Kerry Dunn

I’m excited to present this week’s interview with you! It’s a good one and very practical.  Kerry Dunn is an award winning painter who currently works in Philadelphia and teaches at Studio Incamminati.  In this video interview (you can also listen to the audio version only on the Inspired Painter podcast on Spotify and Apple Podcasts ) we talk about setting up your art practice so it is a priority in your life. 


    We talk about ideas for keeping overhead low, and making space energetically and time wise for your art practice to grow and thrive.
     I hope you enjoy this amazing interview! Share your thoughts in the artist’s  Facebook group!    .

With love, light and creativity,

Podcast launch: The Inspired Painter with Jessica Libor

18 Saturday Jan 2020

Posted by Jessica Libor in art, How To, In My Studio, Inspiration, Interviews, Journeys, Uncategorized

≈ 1 Comment

Tags

art, artist, artist podcasts, contemporary art, contemporary realism, creativity, inspiration, inspiring podcasts, podcast, podcasts for painters

I’m very excited to announce the launch of a podcast, “The Inspired Painter with Jessica Libor”.

If you’re an artist who wants to create an amazing and fulfilling career and life, this podcast is for you! I’ll be sharing inspiration that has worked for me and art-world insights and tips. My goal for this podcast is to help you feel in control of your art career and empowered to be the best artist you can be.

The podcast will be available on Podbean, Apple and Spotify.  I hope it brings you value!

With love, light and creativity,

 

jessica signature

 

Astonish yourself: an interview with artist Alessandra Maria

29 Monday Jul 2019

Posted by Jessica Libor in art, Artist Profiles, Inspiration, Interviews, Uncategorized

≈ 1 Comment

Tags

alessandra maria, alessandra maria artist, art, art techniques, artist, artist interview, artist mindset, contemporary artist, contemporary realism, deep work, drawing, fine art, gilding, gold leaf art, jessica libor, painting, success mindset, willpower

Alessandra 7

Alessandra Maria

I met Alessandra a few years ago in New York City at an opening at Arcadia Gallery, before they relocated to California. I remember connecting about art and the passion needed to be an artist, and talking about the process of making work.  When she showed me her work I was struck by her clear vision and stunning imagery.  There is something very mystical and monumental about her work.  It takes me to another time and place, feels like another dimension not of this world: like a curtain pulled back to reveal a complex, many-layered, precious representation of a moment or story.

Alessandra is currently working on large scale pieces to be on display at Gallery Fledermaus in January 2019.  Graduating from Pratt in 2012, she now works in Boston and describes her work as an exploration of personal iconography.  I hope you enjoy the interview below and gain insight into Alessandra’s practice, inspiration, and words of advice for artists everywhere.

 

Alessandra 2

Alessandra Maria

 

What are you excited about in your practice right now?

It’s a secret!  Wish I could tell you, but suffice to say I’m working on some larger scale projects.

 

When did  you become interested in becoming a practicing artist?

When I was in college I majored in graphic design, and later realized that  I hated it.  After switching to Illustration, I further realized that I wanted to be 100% self-directed in terms of what I make and why.  It was at that time that I realized I wanted to be an artist.

 

Describe an experience of other artist’s work you have seen that has influenced your artistic path.

When I was in college, I encountered Klimt for the first time in person at the Neue.  It completely changed by life and gave me a fervent desire to make something that gave me the same feeling.  It’s hard to describe, but I felt like a new world had been opened up to me.

 

Alessandra 3

Alessandra Maria

 

How did you develop your unique style of work?  Was there an experimenting phase before you made the kind of work we see you making now?

It was simple, but not easy.  I had an image in my head that  I needed to make, and had to learn how to use my media properly in order to create it.  I always fall a little bit short, but with each piece I manage to get closer and closer.

 

How do you organize your daily studio time?  Around how many hours per week do you work on your art?

I used to just work as much as possible, and it was incredibly disorganized and less effective than it could have been.  My email inbox was always a mess, my studio was in disarray, and I would often work for 14 hours straight and just collapse at home in a heap of exhaustion.  There was always something more to do.  I’ve always been into self-help books and organization strategies, so in recent months I’ve been troube shooting and researching to streamline my process; in particular, I’ve modeled my work habits off a book called Deep Work.

My current schedule involves 4 to 5 “blocks” of 1.5 hours of work a day.  I leave my cell phone in my car, I don’t have internet in my studio, and I work in complete silence – this ensures I am completely focused on what’s at hand.  It’s mentally exhausting, so between each block, I will take a small walk for about 20 minutes.  ON Mondays (today, when I am writing this), I answer all my emails and get to inbox 0, and organize my projects for the week.

It’s crazy.  I am working less actual hours, but the quality of those hours is so much greater that  I don’t need to do more.  Because I have to concentrate so hard during the 6 to 7.5 hours a day, I often am incapable of doing meaningful work beyond that.

 

Alessandra 4

Alessandra Maria

 

Do you have a favorite space/studio you like to work in?

My studio right now is my favorite I’ve ever had.  It has more space than I know what to do with, and tall ceilings with plenty of light.  I love being there everyday.

 

What would be some advice you would give artists who are not yet full-time professional artists, but would like to be?  What are some of the most important steps they can take?

To me, there’s three components that are crucial to success: quality, production, and mindset.

Regarding quality, a quote from one of my teachers in college, Chang Park, hits the nail on the head.  “Never compromise your aesthetic.”

For production, this is going to sound a bit harsh, but it’s crucial, and maybe the most important of all three: stop *** procrastinating.  I’m often amazed by how many students fail to make their work because they haven’t “had time” to go to the art store and just buy the tool they need (sometimes for weeks, which often turns into months and then years), how many put off learning to work with a media but will get to it “someday”.  I’m not saying this in a judgmental way, I struggled with it too.  But it was so massively instrumental to my own success to learn to quash that urge to put things off.

I don’t believe discipline is something someone just “has or doesn’t have”; learning to be action-focused and never procrastinate is a skill, I think, and one that has to be practiced and fostered.  For anyone who wants more information, read the book “Willpower.”

Lastly, for mindset: be humble.  Don’t get caught up in the “tortured artist” stereotype; self-aggrandizement just serves to make you less capable of seeing your work objectively, which means you can’t improve it in a meaningful way.  A sense of humility with your own work is massively important.

 

What do you think the role of artists are in society?

To tell the truth.  It’s broad, but that to me is the most encompassing definition that covers the myriad forms of practice and expression out there.

 

Alessandra 6

Alessandra Maria

 

What is one mindset artists can adopt that will help them succeed?

Imagine with me for a moment that you walk into a gallery, and in front of you is the most astonishing, amazing, jaw-dropping work you’ve ever seen.  The sort of work that makes you want to sit in the gallery for hours and just be with it.  Really try to imagine this – I do this exercise frequently.

Now, go make that work.  Make work that’s 100% for yourself.

 

Learn more about Alessandra Maria and see her work at www.alessandramaria.com.

5 Keys to Presenting Your Art

21 Sunday Jul 2019

Posted by Jessica Libor in How To, Interviews, Uncategorized

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art, art marketing, artist branding, artist marketing, branding, collaboration, creative branding, creativity, elevate, elevate growth consulting group, entrepreneurship, growth hacks, marketing

Hello readers, it’s Jessica here.  Through serendipity, I recently came in contact with Elevate Growth Consulting Group.  Elevate is a branding and marketing company that helps businesses grow.  I thought it would be helpful for artists to hear from a professional marketing company how exactly to present their art as a brand and business.  Therefore, we decided to write a guest post for each other’s blogs–you can check out my post for Elevate by clicking here.  Keep reading below to hear Elevate’s co-founder Siera Smith’s keys for presenting your art:

“Art is a vital part of marketing. Creative work drives visual communication of the messages businesses want to portray. They bring a marketing campaign to life, across websites, flyers, social media ads, emails, and more.

Just like art is a vital part of marketing, marketing should also be a vital part to how you display your art.

You’re awesome at what you do. Let your creativity shine. Let us show you 5 keys to presenting your art.

1. Create a Personal Brand

People don’t just buy products and use the services, they buy into a company — its vision, mission, purpose. Make your brand personal to you, because, well, your company is you. Don’t make it like other companies or artists; find something unique about your brand and exploit it. Let people fall in love with you and what you stand for.

2. Tell a Story Behind Your Work

People relate to stories. Storytelling often comes easy to artists, but it takes more than just a picture or paint on a canvas. Dig deep and bring emotion. Art is supposed to evoke reactions and in creating a story, that becomes possible. Stories make your art more than just a product, they make it into a feeling, a memory, a relationship. Your work should evoke emotions that move people. If you can evoke a feeling in people while they are looking at your work, they are going to remember it.

3. Network Your Brand

Networking is everything. It is a great way to build your brand and get your name out there. Networking with other businesses, dealers, and buyers is an effective way to get your artwork known by high-influence people. Go to other galleries and street art shows; go anywhere where you can network your brand and have people learn and remember your name. The more people who know your brand, the better chances you afford yourself.

4. Have an Online Gallery

Having an online gallery affords you the potential to expand your market footprint. People all over the country — or even the world — can look at your art and make a purchase with a few clicks. In addition, online galleries are like a sneak peek preview into your artwork. They entice people to come to your gallery. Shopify is the unofficial market-leading platform to set up a gallery and sell online. You can manage design, inventory, pricing, payments, emails, shipping, and more all from one platform.

5. Have an Instagram

Creating an Instagram for your artwork can open a world of possibilities. Instagram is known for lending itself to visuals, which naturally lends itself to showcasing art. Creating an Instagram can drive traffic to your online and offline gallery through links and location statuses. It is a great way to promote your work to an expansive audience in a time and budget efficient way.

You have amazing work, made from your mind and crafted with your hands. Use these tips to get your work in front of more people’s eyes.”

siera headshot 19

Siera Smith is Co-Founder and Partner at Elevate Growth Consulting Group, of Bridgeport, PA, where she creates growth roadmaps and connects people to the capital needed to get there.

Interview with Kari-Lise Alexander

16 Saturday Mar 2019

Posted by Jessica Libor in art, Inspiration, Interviews, Uncategorized

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Tags

art, artist, contemporary realism, fantasy art, jessica libor, kari-lise alexander, magical realism, oil painting, painting

scan by Bellevue Fine Art

“When you bite the one you love,” oil,  12″ x 16″, 2018 by Kari-Lise Alexander

I first discovered Kari-Lise Alexander’s work this year and was immediately captivated by the sense of storytelling and surreal beauty that she captures in her paintings.  Her paintings of figures in gardens and natural surroundings, interacting with the plants, insects, animals, and sky, are magnetic in how they draw you into the scene and create a mystery.  Kari-Lise was kind enough to tell me a little more about her inspiration and process.
Thank you, Kari-Lise for sharing your thoughts!  Please enjoy our conversation below.
Jessica:  How would you describe your art?

 

Kari-Lise: My work is rooted in the exploration of identity and the natural world. I focus on capturing the fauna and flora found around my home in the Pacific Northwest. Combining that love for the natural world with a focus on the female form I strive to create realistic interwoven pieces with a surreal bent that often reflects a deep internal monolog.

 

Jessica: What was your journey like in becoming an artist?

 

Kari-Lise: About 10 years ago I decided to pick up a paintbrush after several years of not doing art. I had to start over from scratch. It’s been a long journey. Many ups and downs but I’ve worked hard and never gave up.

 

Jessica: What influences your artistic aesthetic?

 

Kari-Lise: I’m influenced by many things and I make it a point to surround myself with those things. Many, if not all of my pieces feature flowers. I’m a passionate gardener and take any moment not in the studio to be out in my garden. I’m also influenced by my friends and fellow artists. Having a good and trusted group of artists that support each other is vital help you grow artistically.

 

scan by Bellevue Fine Art

“Picking the perfect poison,”oil,  12″ x 16”, by Kari-Lise Alexander

Jessica: What kind of challenges have you faced and overcome as an artist, internal or external?

 

Kari-Lise: You’re always going to face one obstacle or another. It doesn’t matter how far you move up in the art world there is always challenges, rejection, and hurdles to overcome. The most important part is staying the course and being true to your own work. Doors will open, it’s just a matter of when and often they’re ones you weren’t expecting.

 

Jessica: What drives you to paint?

 

Kari-Lise: I ask myself this question often and I actually don’t know. It’s something that I have to do. It’s unexplainable to me. If I take a break from painting it soon happens that I start feeling the pull back to the easel. I find myself irritable, feeling a bit crazy and I just have to get back to creating.

 

Jessica: What are a few of your favorite supplies and materials to use?

 

Kari-Lise: My favorite paints are from Daniel Smith, Gamblin and Williamsburg. I love painting on panel, but have been branching out to canvas when working on large pieces. One of my favorite things I use in the studio is an oyster shell for my mediums when painting. They’re free (just ask your local seafood restaurant) and biodegradable!

 

Jessica:  Do you have other hobbies or interest that are parallel to your artistic practice?

 

Kari-Lise: All of my interest revolves around my art. My garden is an example of that, it’s where I grow the flowers I paint. I also throw extremely elaborate tea parties once a year for a group of creatives from all fields. The tea parties are surreal, and it feels like one of my pieces coming to life! I also own a business with fellow artist Redd Walitzki called Moth and Myth. This business was born out of Redd’s love for moths and I came on board with the same passion for Lepidopteras.

 

Jessica: What is your painting schedule like?  Do you have any tips for artists on creating a studio practice?

 

It varies. If I’m preparing for a big show I will paint 5-6 days a week for 10-12 hours a day. If it’s just a normal painting schedule I paint 7 hours, 5 days a week. I think the main thing for creating a studio practice is constancy. That might be the time of day your working, how long your working for or something as simple as if you light a candle every time you sit down to work. If you’re able to create constancy it’s easier to work and focus on what you’re doing.

 

Jessica: How do you know when a painting is finished?

 

Kari-Lise: When I go through it close-up and nothing sticks out as incomplete. Then I stand back and if I feel the same way from looking at it afar I know it’s done!

 

Jessica: What are some long term goals or projects you are excited about?

 

Kari-Lise: I’m actually starting a long term series call Venerate. Venerate will be a series of large-scale portraits of women working in the arts today. The focus is to highlight each of them emphasizing the role of women in shaping the future of art. A loud declaration that our work will not be minimized or ignored as our predecessors. These portraits will also work as an homage, each inspired by the past works of women artists from history. By looking at both the future and the past, Venerate will seek to encompass the value of women in the arts throughout time. The goal of this project is to celebrate the women artists working today and to educate the viewer about the amazing women whose roles in art history have been diminished, undervalued, or forgotten.

 

Kari Lise

Kari-Lise Alexander at a recent exhibition

Jessica:  So amazing! What are some other artist’s work that inspires you?

 

Kari-Lise: I’m really inspired by all the women artists who have come before. They faced overwhelming obstacles, such as lack of education, sexism, absence of opportunities, etc.. Many of those through the centuries beat the odds and were able to have amazing careers! Some of my favorites are (there are far too many to list) Elisabeth Vigee Lebrun, Violet Oakley, Cecilia Beaux, Leonor Fini, and some many more!

 

Jessica:   What do you hope your work says to the viewer?

 

Kari-Lise: I want the observer to come to their own conclusions about my work. Everyone has there own story and when you look at a piece of art it reflects your own experiences in some way.

 

Jessica: Tell us your most inspiring place you’ve ever been.

 

Kari-Lise: I’ve been many places in the US and internationally and I think the place that inspired me the most was seeing Georgia O’ Keeffe’s home in Abiquiu, New Mexico. I never understood O’keeffe’s work until I went to her home and saw first hand the trees she painted, her courtyard she made several pieces about and the lifestyle she cultivated for herself in a very remote place. To understand an artist’s motivations and to put yourself in their shoes is a truly remarkable thing.
You can see more of Kari-Lise Alexander’s work at https://kari-lise.com/

 

Scanned by Bellevue Fine Art Reproduction, LLC.

“Guardner,” oil, 24″ x 24″, by Kari-Lise Alexander

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