I’m thrilled to be partnering with the nonprofit One Tree Planted to help reforest the Amazon Rainforest. A portion of all paid ticket sales and art sales for WILDLOVE will be donated to plant trees! WILDLOVE is a collection of new paintings depicting the wildness and romance of nature present all around us, and within us.A portion of all ticket sales and artwork sales will be donated to plant hundreds of trees in the Amazon Rainforest through the nonprofit One Tree Planted, to honor and give back to our connection with nature. Each collector will receive a certificate after the show detailing what trees were planted because of their purchase!
I’m honored that my work has been featured recently in the March 11 issue of the Times Herald! I also wanted to encourage you that if you are an artist, YOU TOO can start to get press for your artwork. To start to get press, I like to guide artists to:
1. Proactively seek out press by cultivating relationships with publications and writers 2. Determine what you would like to get press for– an event, an exhibit, or a topic 3. Gather together into a press release for your news worthy topic, including pictures of your pieces, you, and your angle on the topic. 4. Address your press release to individual writers at the news outlets you’d like to be featured in! 5. Follow up twice.
In the comprehensive course I am creating for contemporary realist feminine artist, the Luminary Artist Academy, we go deep into this and the details of each step. To sign up for the waitlist, click here.
And now, the article from the Times Herald! Since it’s a little hard to read the scans, here is the article:
Artists found creative outlets and frustration during pandemic
By M. English
For MediaNews Group
PLYMOUTH >> As they look back from the one-year mark, local artists say COVID- 19 has affected their work in a variety of ways.
Plymouth Meeting painter Susannah Hart Thomer says art has allowed her to focus on “something positive and wonderful during this terrible time.”
“For me…it fills the time with the happiness and luxury of creating, developing and spending hours of time sitting on the floor doing my watercolor paintings…,” Thomer says. “Even if I…don’t quite like the way the painting’s developing, it doesn’t matter. I just start over. It’s a delight to go into my studio in the morning and be surrounded by art (and) discuss my paintings with friends by emailing my work to get their knowledgeable views and opinions of it.”
Ambler’s Lynn Hoffmann has found “more time to reflect” and experiment with new techniques and materials in her Hand and Wheel Pottery studio. For example, “materials other than clay to make larger outdoor sculptures that don’t require clay or a kiln.”
“It really has been kind of nice to think and dream way out of my normal box but sad to not see others as much in the beginning,” Hoffmann says. “After I experiment with new things, I bring them to my students, who love seeing new things. (It) feels really good to be so open to new ideas and let possibilities enter into existence. For me, nothing is worse than repeating the same things over and over. I love to experiment and learn.”
Despite her cheerful outlook, Thomer acknowledged “the seeming foreverness” of the pandemic, and others shared parallel sentiments.
Conshohocken Ar t League’s Eileen McDonnell recalls a quick visit to CAL’s studio at Mary Wood Park House last November as “truly surreal…something out of a dystopian novel.”
“The children’s paintings were still splayed on the tables… some chairs askew, some paint containers scattered near each student’s work,” McDonnell says. “Reference books for that project were still opened. Everything was covered in a light dust, some cobwebs here and there, some new water damage cracking the ceiling, insanely quiet. It was as if some bomb had dropped and left everything in suspended animation.”
Zoom picked up some of the slack, but the format wasn’t a universal remedy for CAL’s usual in-person classes, especially live model sessions when “the lighting and three dimensional quality of working from life was distorted by the lens and arbitrary camera angle of the instructor,” the local painter says.
One positive, McDonnell notes, “the pockets of adult artist groups who now meet each week online to share their personal projects…no pressure, just sharing inspiration, contacts, techniques, material sources (and) art news.”
Initially, the pandemic stopped Whitemarsh Art Center’s Charlotte Lindley Martin in her tracks.
“March 13, 2020 – Lockdown – I stopped making art,” Martin remembers.
She returned to “the studio energized and engaged” in May when she and fellow WAC staffer Matt Courtney began making ceramic hand-building videos for online tutorials.
“We were educating from afar, and the result was our students were creating art,” Martin says. “Inspired by my granddaughter, I made videos for children. Next came live Zoom classes. Planning a weekly lesson making templates, trying out forms, finding inspiration for them, putting them on Pinterest and testing underglazes using mason stains.”
All of which increased her “knowledge base” and allowed Martin to learn “alongside my students.” As part of that: “I am gratefully using the new-found knowledge garnered by teaching and experimenting… making small sculptures, taking risks and embracing the changes. In my isolation, I am making art that is for me.”
Fellow WAC ar tist Jeanine Pennell also learned to adjust after her “entire calendar of art fairs and shows was wiped clean.”
“I had nothing to look forward to, but I knew I needed to continue to create,” Pennell says. “I decided to focus on creating a single body of work that had its own theme, sort of my own thesis… (and) set out to create a minimum of seven pieces that at some future time would be shown together. I missed travel the most, so I aimed my focus in that direction and began a series I entitled ‘Absurd Travel.’ Long stretches in the studio have afforded me the freedom to try new techniques and create larger pieces.”
Pondering the pandemic’s “impact on millions of quarantined individuals” as well as the concept of “the selfie as a self-portrait” during physical isolation inspired Greater Norristown Art League painter Jessica Libor’s stylized portraits of women.
“I was particularly inspired to do this series because of the impact on millions of quarantined individuals,” Libor says. “With nowhere to go socially, how do we as individuals still express our creative personalities through our styling? Does it still matter to get dressed up if no one will see you? How does creating a selfie with your cell phone mimic the process of creating a work of art? Many things are the same: Choosing the elements, composition, lighting, colors and subject matter.”
In the end, “in many ways, the selfie and the self-portrait are the same thing: The artist’s version of themselves that they want to reveal to the world. Through blending fantasy and reality, they can be perceived as who they aspire to be. How does creating an idealized fantasy world surrounding you create relief psychologically? Is it escapism or creativity?”
At first, GNAL’s Betz Green viewed quarantine as “an unexpected treat to be able to spend endless hours in the studio.”
“Well, that sense of euphoria lasted a couple of weeks,” Green says. “Then, reality set in. I was working in a vacuum with no museums, no art shows, no art classes, no friends. Production fell off drastically for a few months until the world slowly began to once again open up, presenting opportunities and other people. The pandemic itself does not influence my work. I do not allow it to enter my studio space or my head space when in the studio.”
I’m honored to be a part of this thoughtful article about artists during the pandemic. This week, I am simply continuing to work on my new art for WILDLOVE, the upcoming exhibit in May! To register for that, click here.
Lastly, I am hosting a virtual Wine and Watercolor social instructed paint along this Sunday, and I’d love it if you joined me! Click here or the image below to register!
I am very pleased to share that I have several pieces I’m exhibiting in a new exhibition collection with Era Contemporary, called Spring Valentine. The show will be up until April! Below are just a few of the works in the show.
The full lineup of artists includes: Lauren Woods, Nancy Bea Miller, Jessica Libor, Jason Blake, Emily Taylor Rodgers, Gelena Pavlenko, Alayne Sahar, Jenny Brown, Manuel Nunez, Kathryn Kincaid, Jess Polk, and Alexandra Levasseur.
This is a very imaginative and playful show, where you’ll see mermen, beautiful princes, pink blossoms, glistening skin, winged zephyrs romancing nymphs, gorgeous flowers, beautiful drapery and an air of languid romance.
Browse this unique collection of work in Spring Valentine by clicking the button below! All pieces are available for immediate purchase right on the gallery website.
I’m very excited to share that I will have a solo exhibition in April called WILDLOVE!
This will be an all new collection of artworks I’m currently making. It will be different in many ways than anything I’ve made before. I will be giving you glimpses into my process as I create the pieces, but the actual work will be a secret only to be unveiled during the virtual exhibition!
I invite you to register for the special virtual event and read more about it by clicking the button below! Those who register will get a hand-signed postcard of a show image signed by the artist and mailed to your address.
This week, I began a magical piece involving spiky pink cactii flowers, the palest violet shades, and a lady and her wildcat for WILDLOVE. I also finished my #21visions challenge, which was to create 21 small ink pieces during the month of January.
These new ink pieces are now photographed and you can browse and purchase them by clicking the button below!
I’m excited to announce that I will be teaching several classes both in person and online this winter! I am listing the links and descriptions here below, but if you have any questions please don’t hesitate to reach out to me at firstname.lastname@example.org. Any in person class will require masks for all attendees and myself. I hope to see you this new year! 🙂
“ONSITE (IN-PERSON) EXPLORING DRAWING AND MATERIALS” at the Main Line Art Center, Tuesday evenings February 23–March 23, 2021. In this class, students will explore the basics of drawing, including line, shape, proportion, and texture. We will also use different materials, such as colored pencils, inks, pastels, and charcoal, to create floral subjects and object still lifes. The goal is to get comfortable using a variety of mediums and, most importantly, have fun! To learn more and register click here.
“ONSITE (IN-PERSON) EXPLORING WATERCOLOR AND INKS” at the Main Line Art Center, Tuesday evenings January 12-February 9th 2021. In this class, students will explore water-based medias, learning to paint from delicate masterworks that exemplify brushy watercolor and ink techniques. All reference photos will be provided. Expect to come away inspired and refreshed after having fun creating beautiful and whimsical paintings. To register and learn more click here!
“ONLINE ZOOM CLASS: PASTEL PAINTING” with the Norristown Art League, Fridays 1-3pm, 2 session options 5 weeks each. Session 1: January 22, 29, February 5, 12, 19th. Session 2: March 5, 12, 19, 26 and April 2. Great for beginners!
In this class, students will learn the basics of using pastels to create a beautiful pastel artwork of a landscape (image provided). Topics covered will include composition, color usage, blending the medium, and special effects unique to pastels. Suitable for beginning to intermediate artists with no experience necessary with pastels. It is recommended you have a laptop or tablet to virtually attend the class. To register and find out more, click here!
“IN-PERSON, ONSITE: WATER MEDIAS” at the Norristown Art League. Max 8 students and masks required. Monday • 5-weeks • 2 to 4 pm. 2 Session options! Session 1: January 18, 25, Feb 1, 8, 15. Break: February 22 Session 2: March 1, 8, 15, 22, 29
In this class, students explore a unique way to use watercolor and ink mediums! Using techniques from the Rococo time period in France, we will layer ink and watercolor to create lush, delicate paintings of landscapes inspired by the artists Boucher and Fragonard (reference images provided). To learn more and register click here.
“ONLINE SELF-PACED: DISCOVERING YOUR ARTISTIC VOICE” with Jessica Libor Studio and the Visionary Artist’s Salon. A guided pre-recorded video course hosted by Jessica for artists to discover their unique style, based on their preferences, personality, values and spirit. Discovering Your Artistic Voice is made up of 7 Modules with 3 lessons within each module. These include video and slideshow lectures, pdf downloadable worksheets, and surveys–all designed to help you spring forward and focus your creativity quickly! Best of all, it’s yours to replay and come back to whenever you like. To learn more or register, click here!
I’m very excited to be curating The New Pre-Raphaelites exhibition with Era Contemporary Gallery, opening virtually on September 25. Tickets are free to attend and you can register here!
There are 40 artists in the show and over 70 artworks available. This is truly an epic exhibit with some of the leaders in the contemporary realism art scene exhibiting. I’m so honored and humbled to be working with these amazing artists and people! I also have a few artworks in the show, seen below. Please contact me at email@example.com if you are interested in any of these pieces.
But who were the original Pre-Raphaelites, and what do they have to do with the exhibition today? The Pre-Raphaelite Brotherhood was a tight knit small group of artists working in England in the mid 1800s, who had a potent effect on the art scene and paved the way for Art Nouveau. Thier style was characterized by a sincere romanticism, use of costuming and storytelling, and a reverence for beauty and nature. The upcoming contemporary show, The New Pre-Raphaelites, is a collection of art by artists living today who are inspired by these same ideals.
To listen to more of my personal inspiration in relation to the Pre-Raphaelites and a more in depth history lesson, I invite you to listen to my episode 21 on The Inspired Painter Podcast all about this unique art movement.
Who were your favorite painters of the Pre-Raphaelites? I will have to say for me it is John Millais, the artist who painted the famous Ophelia. It epitomizes everything about the Pre-Raphaelites that I love: nature, costuming, an emotional mythical story, and beautiful craftsmanship.
The New Pre-Raphaelites exhibition through Era Contemporary is up all fall; visit www.eracontemporary.com for more details.
In this virtual event, attendees will get a first look at the newest collection of art by Jessica Libor, inspired by the ocean and its stories and fairy tale lore.
This ticket is your reservation to attend the LIVE, VIRTUAL event held over Zoom, and using 3D technology to bring you the experience of actually being in a gallery room with the new artwork! All work will be inspired by the ocean, incorporating both the natural power of the ocean, and also gem-like pieces filled with silver leaf and cool tones evoking the mythical tales of mermaids and sirens.
10% of the sale of all tickets will be donated to Ocean Conservancy, a wonderful nonprofit that works to create science-based solutions for a healthy ocean and the wildlife and communities that depend on it.
Attendees will receive a hand-signed by the artist postcard of the show image, as well as a generous discount on the artwork featured.
Wear your mermaid or beach inspired outfit and join us for this live interactive event in the arts!
I’m excited to share that two pieces from my recent pastel collection from my show “Enchanted Portals” has been featured on The Art Blog, on their series “Artists in the Time of Coronavirus”.
Several pieces from this collection are still available through my shop here.
The article includes my statements on the work:
Each portrait revealed is a different woman, and these drawings are inspired by the idea of the selfie as a self portrait. The enchanted portal today is technology, and through technology we can curate the way that we are seen, in the same way that artists in other centuries flattered their subjects or imagined a different surrounding for them. I was particularly inspired to do this series because of the impact on millions of quarantined individuals. With nowhere to go socially, how wdo we as individuals still express our creative personalities through our styling? Does it still matter to get dressed up if no one will see you? How does creating a selfie with your cellphone mimic the process of creating a work of art? Many things are the same: choosing the elements, composition, lighting, colors, and subject matter. In many ways, the selfie and the self-portrait are the same thing: the artist’s version of themselves that they want to reveal to the world. Through blending fantasy and reality, they can be perceived as who they aspire to be. How does creating an idealized fantasy world surrounding you create relief psychologically? Is it escapism, or creativity?
It is my belief that the self-portrait of today is the selfie—a way for any individual with a digital device to record their own existence in whatever way feels good to them. It is a way of asserting their presence in the world and reflects the human’s timeless desire to make a mark on society and the world: it is a way to be seen.
Hello friends, I am excited to let you know that my piece “Prima Donna”, is being exhibited at the Da Vinci Art Alliance for their exhibition “Artist, Reader, Writer II.” This is a very unique exhibition that pairs the artwork of many different artists with a passage from literature of the artist’s choosing. As for “Prima Donna”, I chose a passage from The Phantom of the Opera, as it reminded me of a scene from the story.
Prima Donna, oil and gold leaf on panel, by Jessica Libor
If you are interested in collecting this piece please send me an email at firstname.lastname@example.org.
Artist, Reader, Writer II is a DVAA Members-only exhibition that explores the relationship between the written word and visual art through an exercise of comparison. Each artist submitted two items: an original artwork of their own creation, and a short accompanying text displayed next to their work of art that is not of their own creation. The union formed between the two objects creates a new conceptual relationship, altering the experience of viewing artwork with the addition of written language. The relationships formed through these pairings offer context, juxtapose, balance, obscure, and generate new meaning.
The opening for the exhibition is on Wednesday, January 28th from 6 to 8pm at the Da Vinci Art Alliance, at 704 Catharine Street, Philadelphia. The show is up until February 16th, so it’s a perfect art happening for Valentine’s day! To learn more about the show and gallery, visit here.
The participating artists are as follows: Alessandra Stradella, Angelo Benedetto, Annie Stone, Arlene Solomon, Barbara B. Rosin, Barbara Dirnbach, Catherine Bancroft, David Deakin, Deirdre Doyle, Don Gordon, Eddy Rhenals, Edward W Keer, Eleanor Levie, Ellen Rosenberg, Erika Kuciw, Florence Weisz, Floyd Kelley, Gary Grissom, Gillian Cavoto, Gloria Klaiman, Harriet Hill, Irving Sears, Jennifer Brinton Robkin, Jessica Libor, Jill Cucci Smith, Jim Strickler, Joellyn Ross, Juli Snyder, Kenneth Veith, Kit Donnelly, Lauren J. Sweeney, Leslie K. Brill, Linda Dubin Garfield, Linnie Greenberg, Marilyn Stubblebine, Mario Nascati, Maryanne Buschini, Nancy E Cooke, Ona Kalstein, Patricia Mancini, Penelope Tsaltas Lisk, Phyllis Anderson, Polly Kooperman, Rachael Switalski, Reyna Howkins, Robert Zurer, Rosalind Bloom, Sally K. Eisenberg, Sam Koren, Sandi Neiman Lovitz, Sarah R. Bloom, Selene Nunez Cruz, Susan Cantor-Uccelletti, Susan M. Gordon, Ted Warchal, Tony Anthony, Vicente Ortiz Cortez, Willard Johnson, and William Timmins.